ARTIST CV

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SELECTED SOLO EXHIBITIONS

2024

2023

2021

2018

2016

2014

2010/11

2009

2008

2005/6

2004

2002

2001

1999

1998

1996

1994

1992

1991

1989

1988

1987

Chazen Museum of Art, University of Wisconsin in Madison, Madison, Wisconsin (Forthcoming traveling exhibition 2024)

“Petah Coyne: North Star,” Nunu Fine Art, Taipei, Taipei City, Taiwan

"Petah Coyne: A Silver Pied Peacock," Nancy Littlejohn Fine Art, Houston, Texas

"Petah Coyne: Having Gone I Will Return," Galerie Lelong & Co., New York, New York, New York

“Petah Coyne: A Free Life,” Nunu Fine Art, Taipei, Taiwan

“Petah Coyne: The Unconsoled,” ADAA: The Art Show 2014, New York, New York

“Everything That Rises Must Converge,” MASS MoCA, North Adams, Massachusetts

“Petah Coyne,” Neuberger Museum of Art, Purchase College, State University of New York, Purchase, New York

“Petah Coyne: Vermilion Fog,” Galerie Lelong & Co., New York, New York, New York

“Petah Coyne: Above and Beneath the Skin,” Sculpture Center, Long Island City, New York. Traveled through 2006 to Chicago Cultural Center, Chicago, Illinois; Kemper Museum of Contemporary Art, Kansas City, Missouri; Scottsdale Museum of Contemporary Art, Scottsdale, Arizona; and Albright-Knox Art Gallery, Buffalo, New York. Organized by the Albright-Knox Art Gallery, Buffalo, New York
“Petah Coyne: Above and Beneath the Skin,” Galerie Lelong & Co., New York, New York, New York

“Petah Coyne: Hairworks,” Cincinnati Art Museum, Cincinnati, Ohio
“Paris Blue – New Collection,” Joslyn Art Museum, Omaha, Nebraska

“Petah Coyne: Sculpture and Photography,” Bentley Gallery, Scottsdale, Arizona

“Petah Coyne: Fairy Tales,” Frist Center for the Visual Arts, Nashville, Tennessee
“White Rain,” Galerie Lelong, New York, New York
“Spring Snow,” Julie Saul Gallery, New York, New York
“Petah Coyne,” Byron C. Cohen Gallery for Contemporary Art, Kansas City, Missouri
“Petah Coyne: Fairy Tales, Sculpture and Related Photographs,” Wright State University Art Galleries, Wright State University, Dayton, Ohio

"Petah Coyne: Fairy Tales,” Butler Gallery, Kilkenny Castle, Kilkenny, Ireland

“Fairy Tales,” Galerie Lelong & Co., New York, New York, New York
“Monastic Sightings: Buddhists on the Move,” Photography Gallery, Fine Arts Center Galleries, University of Rhode Island, Kingston, Rhode Island
“Petah Coyne: Photographs,” Laurence Miller Gallery, New York, New York. Traveled to Weatherspoon Art Gallery, University of North Carolina, Greensboro, North Carolina

Petah Coyne: “black/white/black,” The Corcoran Gallery of Art, Washington, D.C.Traveled through 2007 to The High Museum of Art, Atlanta, Georgia
“Photographs,” Laurence Miller Gallery, New York, New York

“Petah Coyne: Recent Sculpture,” Jack Shainman Gallery, New York, New York

“Petah Coyne,” Cleveland Center for Contemporary Art, Cleveland, Ohio. Traveled through 1993 to Tyler Gallery, Tyler School of Art, Temple University, Philadelphia, Pennsylvania; Museum of Art, Olin Art Center, Bates College, Lewiston, Maine; Center for Contemporary Arts, Santa Fe, New Mexico
“Beauty and the Beast,” Neuberger Museum of Art, Purchase College, State University of New York, Purchase, New York. Traveled to Artists Space, New York, New York

“Petah Coyne: Recent Sculpture,” Diane Brown Gallery, New York, New York
“Petah Coyne: Recent Work,” Jack Shainman Gallery, New York, New York
“Installation by Petah Coyne,” Art Gallery, Southeastern Massachusetts University, North Dartmouth, Massachusetts

“Untitled Installation: A Grand Lobby Project,” Brooklyn Museum, Brooklyn, New York
“Recent Sculpture,” Jack Shainman Gallery, New York, New York

“Petah Coyne: 1987 Augustus Saint-Gaudens Fellow,” Picture Gallery, Saint-Gaudens National Historic Site, Cornish, New Hampshire

“Petah Coyne: Artist in Residence 1987,” Sculpture Center, New York, New York
“Special Projects,” P.S.1, The Institute for Art and Urban Resources, Long Island City, New York

SELECTED GROUP EXHIBITIONS

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

1997

1996

1995

1994

1993

1992

1991

1990

1989

1988

1987

1986

1985

1984

1983

"Glasstress Sopot: Unveiled Realities," State Gallery of Art in Sopot, Sopot, Poland

"The Sky's the Limit," National Museum of Women in the Arts, Washington, D.C.

“The Flower Show,” L.A. Louver, Venice, California

"Rounding the Circle: The Mary and Al Shands Collection," Speed Art Museum, Louisville, Kentucky

"Rising Sun: Artists in an Uncertain America," Pennsylvania Academy of the Fine Arts and the African American Museum in Philadelphia, Philadelphia, Pennsylvania (Solo installation: Untitled #1541 (Two Halves of the Same Soul), 2023)

"ROAR!!!," Jim Kempner Fine Art, New York, New York

“Corporeal,” San Francisco Museum of Modern Art, San Francisco, California

“Women and Abstraction: 1741-Now,” Addison Gallery of American Art, Andover, Massachusetts

"You Know Who," Koç Holding, Abdülmecid Efendi Mansion, Istanbul, Turkey

"CRAZY: Madness in Contemporary Art" Chiostro del Bramante, Rome, Italy

"VISAGE — Face with a View," Cassilhaus, Chapel Hill, North Carolina

"Acid Garden," Charles Moffett Gallery, New York, New York

“Common Borders,” Galerie Lelong & Co., New York, Paradise Plaza, Miami, Florida

"Glasstress. Window to the Future," The State Hermitage Museum, Saint Petersburg, Russia

"e pluribus: Out of Many," National Academy of Design, New York, New York (Online exhibition)

"New Sculpture," Galerie Lelong & Co., New York, New York, New York (Online exhibition)

"Womanology. José Ramón Prieto Collection," The Bilbao Fine Arts Museum, Bilbao, Spain

“APMA, CHAPTER THREE,” Amorepacific Museum of Art, Seoul, Republic of Korea

“Rhe: Everything Flows;” Galerie Lelong & Co., New York, New York, New York

“Unbreakable: Women in Glass,” Fondazione Berengo, Fondazione Berengo Art Space, Murano, Venice, Italy

“Forms Fired,” Shoshana Wayne Gallery, Santa Monica, California, Online exhibition

“A Summer Like No Other,” Galerie Lelong & Co., New York, New York, New York (Online exhibition)

“The Many Faces of Bill Arning,” Andrew Edlin Gallery, New York, New York

"How Can We Think of Art at a Time Like This?" Art at a Time Like This (Online exhibition)

"Red: Online Group Exhibition," Galerie Lelong & Co., New York, New York, New York (Online exhibition)

"Out of Place, A Feminist Look at the Collection," Brooklyn Museum, Brooklyn, New York

“The Light Show,” Denver Art Museum, Denver, Colorado

"Betwixt and Between," Laurence Miller Gallery, New York, New York

"Certain Women," Nancy Littlejohn Fine Art, Houston, Texas

"The Art of Collage and Assemblage," Philadelphia Museum of Art

"Lexicon: The Language of Gesture in 25 Years at Kemper Museum," Kansas City, Missouri

“Boss Lady,” Girl’s Club Warehouse, Fort Lauderdale, Florida

“Vision of the Other Worlds,” Sargent’s Daughters, New York, New York

“Thinly Veiled,” Cassilhaus Gallery, Chapel Hill, North Carolina

“Revival,” National Museum of Women in the Arts, Washington, DC
“No Boundaries,” Marlborough Gallery, New York, New York
“Glasstress Boca Raton,” Boca Raton Museum of Art, Boca Raton, Florida
“Vitreous Bodies: Assembled Visions in Glass,” Massachusetts College of Art and Design, Boston, Massachusetts

“RE-ACTION, genealogy and countercanon,” Casal Solleric, Mallorca, Spain
“Narrative/Collaborative,” Galerie Lelong & Co., New York, New York, New York
“For the Love of Things: Still Life,” Albrignt-Knox Art Gallery, Buffalo, New York
“Audacious: Contemporary Artists Speak Out,” Denver Art Museum, Denver, Colorado
“Contemporary Redux: Selections from the Collection,” Taubman Museum of Art, Roanoke, Virginia
“Drawing for Sculpture,” TSA New York, Brooklyn, New York

“Glasstress 2015 Gotika,” Palazzo Franchetti/Instituto Venezia di Scienza, Lettere, e Arti, Campo S. Stefano, Venice
“Into Dust,” Philadelphia Museum of Art, Philadelphia, Pennsylvania
“Ars Memoria: A Selection from MOCA’s Permanent Collection,” Museum of Contemporary Art North Miami, Miami, Florida

“Ciclo,” (Cycle), Centro Cultural Banco do Brasil—São Paulo, Belo Horizonte, Brasília, Brazil
“The Singing and the Silence: Birds in Contemporary Art,” Smithsonian American Art Museum, Washington, D.C.
“Late Harvest: Taxidermy, Posthumanism, and Contemporary Art,” Nevada Museum of Art, Reno, Nevada
“Exterior Spaces, Interior Places,” Addison Gallery of American Art, Andover, Massachusetts
“30 x 2, 4 x 2: Holy and Profane,” Nunu Fine Art, Taipei, Taiwan
“Depth and Meaning: 20th Anniversary Gifts,” Kemper Museum of Cotemporary Art, Kansas City, Missouri

“Kiasma Hits,” Museum of Contemporary Art Kiasma, Helsinki, Finland
“Resonance: Audible Silence in Portraiture,” University of Arkansas, Fayetteville, Arkansas
“Summer Exposure,” Galerie Lelong & Co., New York, New York, New York
“Through the Eyes of Texas: Masterworks from Alumni Collections,” Blanton Museum of Art, University of Texas at Austin, Austin, Texas

“DECADE: Contemporary Collection 2002–2012,” Albright-Knox Art Gallery, Buffalo, New York
“Selected Histories: 20th-Century Art from the SFMOMA Collection,” San Francisco Museum of Modern Art, San Francisco, California
“Close Relations and A Few Black Sheep: Sculpture from the Permanent Collection,” Weatherspoon Art Museum, Greensboro, North Carolina

“Notations: Everyday Disturbances,” Philadelphia Museum of Art, Philadelphia, Pennsylvania

“The Big Reveal,” Kemper Museum of Contemporary Art, Kansas City, Missouri
“Out of the Dark Room: The David Kronn Collection,” Irish Museum of Modern Art, Dublin, Ireland
“Adrift: A New Visions Series,” Memphis College of Art, Memphis, Tennessee
“Interventions in the Landscape,” Galerie Lelong & Co., New York, New York
“Open Process: New Works by Miami Artists,” Museum of Contemporary Art, Miami, Florida

“Exit Art, Printed Histories: 15 Years of Exit Art Print Portfolios 1995–2011,” Exit Art, New York, New York

“The Fifth Genre: Considering the Contemporary Still Life,” Galerie Lelong & Co., New York, New York, New York
“Until Now: Collecting the New (1960-2010),” Minneapolis Institute of Arts, Minneapolis, Minnesota
“Exposure: Photos from the vault,” Denver Art Museum, Denver, Colorado
“Pleasure Point: Celebrating 25 Years of Contemporary Collectors,” Museum of Contemporary Art San Diego, La Jolla, California
“185th Annual: An Invitational Exhibition of Contemporary Art,” National Academy Museum & School of Fine Arts, New York, New York
“Desire,” The Blanton Museum of Art, The University of Texas at Austin, Austin, Texas
“The Language of Flowers,” CRG Gallery, New York, New York

“Houdini: Art and Magic,” The Jewish Museum, New York, New York. Travelling through 2012 to Skirball Cultural Center, Los Angeles, California; Contemporary Jewish Museum, San Francisco, California; Madison Museum of Contemporary Art, Madison, Wisconsin

“Trail Blazers in the 21st Century: Contemporary Prints and Photographs published by Exit Art,” Jane Voorhees Zimmerli Art Museum, New Brunswick, New Jersey
“Reflection, Refraction, Reconfiguration,” University Art Museum, Colorado State University, Fort Collins, Colorado

“Roots & Ties II,” Untitled [ArtSpace], Oklahoma City, Oklahoma
“Time/Frame,” Spencer Museum of Art, University of Kansas, Lawrence, Kansas
“21: Contemporary Art at the Brooklyn Museum,” Brooklyn Museum, Brooklyn, New York
“Damaged Romanticism: A Mirror of Modern Emotion,” Blaffer Gallery, University of Houston, Houston, Texas. Traveled through 2009 to Grey Art Gallery, New York University, New York, New York; and The Parrish Art Museum, Southampton, New York
“Under the Influence,” Art + Culture Center of Hollywood, Fort Lauderdale, Florida
“Selections from the Museum’s Permanent Collection,” Taubman Museum of Art, Roanoke, Virginia

“Contemporary and Cutting Edge: Pleasures of Collecting, Part III,” Bruce Museum, Greenwich, Connecticut
“New at the Nasher,” Nasher Museum of Art, Duke University, Durham, North Carolina
“Passion Complex: Selected Works from the Albright-Knox Art Gallery,” 21st Century Museum of Contemporary Art, Kanazawa, Japan
“Shadow,” Galerie Lelong, New York, New York
“Uncontained,” Whitney Museum of American Art, New York, New York
“Back to the Future: Contemporary Art from the Mead Collection,” Mead Art Museum, Amherst College, Amherst, Massachusetts

“Material Actions,” Museum of Contemporary Art San Diego, San Diego, California
“ARS 06: Sense of the Real,” Museum of Contemporary Art Kiasma, Helsinki, Finland
“3D - An Exhibition of Contemporary Sculpture,” Carl Solway Gallery, Cincinnati, Ohio
“Art on the Edge: Modern & Contemporary Art from the Permanent Collection,” Joslyn Art Museum, Omaha, Nebraska
“Waxworks,” Silvermine Guild Arts Center, New Canaan, Connecticut
“In Focus: 75 Years of Collecting American Photography,” Addison Gallery of American Art, Andover, Massachusetts

“The Forest: Politics, Poetics and Practice,” Nasher Museum of Art, Duke University, Durham, North Carolina
“Neo-Baroque!” Byblos Art Gallery, Verona, Italy
“Nine Contemporary Sculptors: Fellows of the Saint-Gaudens Memorial,” UBS Art Gallery, New York, New York
“Steven Scott Collects: Donations and Promised Gifts to the Permanent Collection,” National Museum of Women in the Arts, Washington, D.C.

“American Art: Selections from the Permanent Collection 1900-1960,” Weatherspoon Art Museum, Greensboro, North Carolina
“On Edge,” Rhodes + Mann, London, United Kingdom
“Ten,” Byron C. Cohen Gallery for Contemporary Art, Kansas City, Kansas
“Bodily Space: New Obsessions in Figurative Sculpture,” Albright-Knox Art Gallery, Buffalo, New York
“Revelation: A Fresh Look at Contemporary Collections,” The Mint Museum, Charlotte, North Carolina
“Behind Closed Doors,” Katonah Museum of Art, Katonah, New York
“Food, Clothing and Shelter,” Oniasaburo Gallery, Interfaith Center of New York, New York, New York
“The Print Show,” Exit Art, New York, New York
“Birdspace: A Post-Audubon Artists Aviary,” Contemporary Arts Center, New Orleans, Louisiana. Traveled to Norton Museum of Art, West Palm Beach, Florida; and Hudson River Museum, Yonkers, New York

“Materials, Metaphors, Narratives: Work by Six Contemporary Artists,” Albright-Knox Art Gallery, Buffalo, New York
“Visions and Revisions: Art on Paper Since 1960,” Museum of Fine Arts, Boston, Massachusetts
“Cold Comfort,” Memphis College of Art, Memphis, Tennessee

“Petah Coyne/Ann Hamilton,” Des Moines Art Center, Des Moines, Iowa
“Other Bodies,” Speed Art Museum, Louisville, Kentucky
“Shift,” Galerie Lelong & Co., New York, New York, New York
“Into the Woods,” Julie Saul Gallery, New York, New York
“Flat Not Flat: Four Sculptors Confront the Wall,” Judy Ann Goldman Fine Art, Boston, Massachusetts
“Eve and the Snake,” Kunstverein Bad Salzdetfurth e.V., Bodenburg, Germany
“Feminism and Art: Selections from the Permanent Collection,” National Museum of Women in the Arts, Washington, D.C.
“What’s Hot and New in 2002: A Print and Photography Exhibition and Sale,” Katonah Museum of Art, Katonah, New York
“Time Distance and Memory,” Laurence Miller Gallery, New York, New York

“Artists Take On Detroit: Projects for the Tricentennial,” Detroit Institute of Arts, Detroit, Michigan
“Lateral Thinking: Art of the 1990s,” Museum of Contemporary Art, San Diego, La Jolla, California; Traveled through 2004 to Colorado Springs Fine Arts Center, Colorado Springs, Colorado; Hood Museum of Art, Dartmouth College, Hanover, New Hampshire; Dayton Art Institute, Dayton, Ohio

“Snapshot: An Exhibition of 1,000 Artists,” Contemporary Museum, Baltimore, Maryland
“SCULPTography,” Galerie Lelong, New York, New York
“The Glen Dimplex Artists Award 2000,” Irish Museum of Modern Art, Dublin, Ireland
“Whitney Biennial 2000,” Whitney Museum of American Art, New York, New York
“Muscle: Power of the View,” Boulder Museum of Contemporary Art, Boulder, Colorado
“The End: An Independent Vision of Contemporary Culture, 1982-2000,” Exit Art, New York, New York
“Faith: The Impact of Judeo-Christian Religion on Art at the Millennium,” Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
“Rapture,” Bakalar and Huntington Galleries, Massachusetts College of Art, Boston, Massachusetts
“Object Lessons: Selections from the Robert J. Shiffler Foundation,” Columbus Museum of Art, Columbus, Ohio

“Photographs by Painters, Photographers, Sculptors,” Lennon, Weinberg, Inc., New York, New York
“Millennium Messages,” Heckscher Museum of Art, Huntington, New York. Traveled through 2001 to Tufts University Gallery, Tufts University, Medford, Massachusetts; Everson Museum of Art, Syracuse, New York; and Miami University Art Museum, Oxford, Ohio
“Best of Season: Selected Work from the 1998-1999 Manhattan Exhibition Season,” Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
“Surroundings: Responses to the American Landscape, Selections from the Permanent Collection of the Whitney Museum of American Art,” San Jose Museum of Art, San Jose, California
“Drawing in the Present Tense,” Aronson and Main Galleries, Parsons School of Design, New York, New York; Traveled through 2000 to Julian Akus Gallery, Eastern Connecticut State University, Willimantic, Connecticut; North Dakota Museum of Art, Grand Forks North Dakota; Illinois State University, Normal, Illinois
“Souvenirs/Documents: 20 years,” P.S. 122, New York, New York
“Domestic Pleasures,” Galerie Lelong & Co., New York, New York, New York
“Permanent Collection,” The Detroit Institute of Arts, Detroit, Michigan
“Artists in Purgatory,” Purgatory Pie Press and Collaborators, Long Island University, Salena Gallery, Long Island, New York
“26 Sculptors in their Environments,” Rockland Center for the Arts, West Nyack, New York
“Object Lessons: Selection from the Robert J. Shiffler Foundation,” Columbus Museum of Art, Columbus, Ohio

“Coming Off the Wall,” Susquehanna Art Museum, Harrisburg, Pennsylvania
“Connections & Contradictions: Modern and Contemporary Art from Atlanta Collections,” Michael C. Carlos Museum, Emory University, Atlanta, Georgia
“The Human Habit,” William King Regional Arts Center, Abingdon, Virginia
“Selections from the Permanent Collection,” Museum of Contemporary Art San Diego, La Jolla, California
“Masters of the Masters: MFA Faculty of the School of Visual Arts, New York 1983-1998,” Butler Institute of American Art, Youngstown, Ohio
“House of Wax,” The Contemporary Arts Center, Cincinnati, Ohio
“Sculptors and their Environments,” Pratt Institute Manhattan Gallery, New York, New York. Traveled to Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, New York
“Preview, Review,” Galerie Lelong & Co., New York, New York, New York
“The Tip of the Iceberg,” Art Resources, New York, New York

“Eye of the Beholder: Photographs from the Avon Collection,” International Center of Photography, New York, New York
“Post Construction,” Vakin Schwartz, Atlanta, Georgia
“Selections from the Collections,” Museum of Modern Art, New York, New York
“Biennial Exhibition for Public Art,” Neuberger Museum of Art, Purchase College, State University of New York, Purchase, New York
“Partners in Printmaking: Works from Solo Impression,” National Museum of Women in the Arts, Washington, D.C.
“Permanent Collection,” Museum of Contemporary Art, San Diego, San Diego, California

“Simple Gifts: A Selection of Gifts to the Collection from Lily Auchincloss,” Museum of Modern Art, New York, New York
“Partners in Printmaking: Works from Solo Impression,” National Museum of Women in the Arts, Washington, D.C.
“Transforming the Social Order,” Temple Gallery, Tyler School of Art, Temple University, Philadelphia, Pennsylvania
“Inside,” California Center for the Arts, Escondido, California
“Graphics from Solo Impression Inc.,” Members’ Gallery, Albright-Knox Art Gallery, Buffalo, New York
“Square Bubbles,” Mandeville Gallery, Union College, Schenectady, New York

“The Invisible Force: Nomadism as Art Practice,” Polk Museum of Art, Lakeland, Florida
“Inside/Outside: From Sculpture to Photography,” Laurence Miller Gallery, New York, New York
“Essence and Persuasion: The Power of Black and White,” Anderson Gallery, University of Buffalo, State University of New York, Buffalo, New York
“Other Choices/Other Voices,” Islip Art Museum, East Islip, New York
“Object Lessons: Feminine Dialogues with the Surreal,” Massachusetts College of Art, Huntington Gallery, Boston, Massachusetts

“Digressions,” Caren Golden Fine Art, New York, New York
“Prints from Solo Impression Inc.,” The College of Wooster Art Museum, The College of Wooster, Wooster, Ohio
“Fabricated Nature,” Boise Art Museum, Boise, Idaho. Traveled to University of Wyoming Art Museum, University of Wyoming, Laramie, Wyoming; Virginia Beach Center for the Arts, Virginia Beach, Virginia
“The Garden of Sculptural Delights,” Exit Art / The First World, New York, New York
“In the Lineage of Eva Hesse," Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

“Drawings: 30th Anniversary Exhibition,” Leo Castelli Gallery, New York, New York
“Nine Sculptors and their Printer,” Bernard Toale Gallery, Boston, Massachusetts
“25 Years, A Retrospective,” Cleveland Center for Contemporary Art, Cleveland, Ohio
“Monumental Propaganda,” Courtyard Gallery, World Financial Center, New York, New York. Traveled through 1998 to International Gallery, Smithsonian Institution, Washington, D.C.; Dunlop Art Gallery, Regina Public Library, Saskatchewan, Canada; Muckenthaler Art Center, Fullerton, California; Bass Museum of Art, Miami Beach, Florida; Kemper Museum of Contemporary Art, Kansas City, Missouri; Helsinki City Art Museum, Helsinki, Finland; Lenin Museum, Tampere, Finland; Uppsala Konstmuseum, Uppsala, Sweden; Contemporary Art Center, Copenhagen, Denmark; Kennesaw State University, Kennesaw, Georgia; Institute of Contemporary Art, Moscow, Russia; Tallinn, Estonia; Lubiljana, Slovenia. Organized by Independent Curators International
“Forest of Visions,” Knoxville Museum of Art, Knoxville, Tennessee. Traveled to Cheekwood Museum of Art, Nashville, Tennessee; Samuel P. Harn Museum of Art, Gainesville, Florida
“Testwall,” TZ’Art & Co., New York, New York
“Artist & Homeless Collaborative Project,” Visual Arts Gallery, Henry Street Settlement, New York, New York

“Miauhaus,” Thread Waxing Space, New York, New York
“Natural Forces / Human Observations,” Charlotte Crosby Kemper Gallery, Kansas City Art Institute, Kansas City, Missouri

“Contemporary Collectors,” Museum of Contemporary Art San Diego, La Jolla, California
“Vital Forces: Nature in Contemporary Abstraction,” Heckscher Museum, Huntington, New York
“10th Annual Awards in the Visual Arts,” Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington D.C. Traveled through 1992 to Albuquerque Museum of Art, History and Science, Albuquerque, New Mexico; Toledo Museum of Art, Toledo, Ohio; The BMW Gallery, New York, New York
“le Plaisir de la Raison,” Jack Shainman Gallery, New York, New York

“Visions 90, in Art Contemporain 1990,” La galerie d’art lavalin in collaboration with Centre international d’art contemporian de Montreal, Montreal, Quebec, Canada
“Detritus: Transformation and Re-Construction,” Jack Tilton Gallery, New York, New York
“The (Un) Making of Nature,” A two-part exhibition Whitney Museum of American Art at Phillip Morris, New York, New York and Whitney Museum of American Art Downtown at Federal Reserve Plaza, New York, New York. Traveled to Whitney Museum of American Art at Fairfield County, Stamford, Connecticut
“American Academy and Institute of Arts and Letters Invitational Exhibition of Painting and Sculpture,” American Academy and Institute of Arts and Letters, New York, New York
“Visiting Artist Exhibition,” Edwin W. Zoller Gallery, School of Visual Arts, Pennsylvania State University, University Park, Pennsylvania
“From Earth to Archetype,” Ledis Flam Gallery, New York, New York

“Terra Firma: Land and Landscape in Art of the 1980s,” Wallach Art Gallery, Columbia University, New York, New York
“Lines of Vision: Drawings by Contemporary Women,” Hillwood Art Gallery, C.W. Post Campus, Long Island University, Brookville, New York. Traveled to Blum Helman Gallery, Warehouse Space, New York, New York; Murray State University, Murray, KY; Grand Rapids Art Museum, Grand Rapids, Michigan; University Art Gallery, University of North Texas, Denton, Texas; Richard F. Brush Gallery, St. Lawrence University, Canton, New York; University of Oklahoma, Museum of Art, Norman, Oklahoma
“The Emerging Figure,” Norton Gallery Of Art, West Palm Beach, Florida; Traveled to: The Edith C. Blum Art Institute, Milton and Sally Avery Arts Center, Bard College, Annandale-On-Hudson, New York

”David And Goliath,” Jack Shainman Gallery, New York, New York
“Shape Shifting,” Cavin-Morris, New York, New York
“Life forms: Contemporary Organic Sculpture,” Freedman Gallery, Albright College, Reading, Pennsylvania
“Primitive Works for Public Spaces: Drawings, Maquettes and Documentation for Unrealized Public Artworks,” RC Erpf Gallery, New York, New York
“Kindred Spirits,” George Ciscle Gallery, Baltimore, Maryland
“Strike: Nature, Abstraction, Aggression,” Valencia Community College, East Campus, Orlando, Florida
“Nomadic Visions: Recent Works by Six New York Sculptors,” Art Gallery, Southeastern Massachusetts University, North Dartmouth, Massachusetts

“Elements: Five Installations,” Whitney Museum of American Art at Equitable Center, New York, New York
“Sculpture,” Proctor Art Center, Bard College, Annandale-On-Hudson, New York
“O.I.A. Tenth Anniversary Outdoor Sculpture Exhibition,” Snug Harbor Cultural Center, Staten Island, New York
“Personal Poetics,” Sala 1, Rome, Italy
“Alternative Supports: Contemporary Sculpture on the Wall,” David Winton Bell Gallery, Brown University, Providence, Rhode Island
“Works on Paper,” Tomoko Ligouri Gallery, New York, New York
“Standing Ground: Sculpture by American Women,” Contemporary Arts Center, Cincinnati, Ohio
“Group Show,” Grand Street Gallery, New York, New York
“Blum/Coyne/Fishman,” John Slade Ely House, New Haven, Connecticut
“Small Works,” Sculpture Center, New York, New York
“Endangered Species,” Alternative Museum, New York, New York

“A Contemporary View of Nature,” Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
“South Beach III-Outdoor Public Sculpture,” Organization of Independent Artists, Staten Island, New York
“The Figure Abstracted: Intimated Presences,” Robeson Center Gallery, Rutgers University, Newark, New Jersey
“Sydney Blum/Petah Coyne/Beverly Fishman,” P.S. 122, New York, New York
“Transformations,” Richard Green Gallery, New York, New York
“Nature Observed: Sculpture, Painting and Photography by Contemporary Artists,” Danforth Museum of Art, Boston, Massachusetts
“Personal Visions,” East Hampton Center for Contemporary Art, East Hampton, New York
“Benefit Exhibition,” East Hampton Center for Contemporary Art, East Hampton, New York
“The All Natural Disaster Show,” P.S. 39 Longwood Art Project, Bronx, New York
“Bodies and Dreams,” White Columns, New York, New York
“Sculpture X Six,” Bronx Museum of the Arts, Satellite Gallery, Hostos Community College, Bronx, New York
“Paradise & Purgatory: West Meets East,” Metropolitan Museum of Art, Thomas J. Watson Library, New York, New York
“Group Show,” Stokker/Stikker Gallery, New York, New York

“Toy Show,” BACA, Brooklyn, New York
“Bayou Show,” The Houston Festival, Houston, Texas
“Getting Off,” Civilian Warfare, New York, New York

Drawings,” Sculpture Center, New York, New York
“Holiday Invitational,” A.I.R. Gallery, New York, New York
“Body Memories,” BACA, Brooklyn, New York
“Mimes and Miniatures,” BACA, Brooklyn, New York

“Art on the Beach,” Creative Time Inc., New York, New York

AWARDS, GRANTS AND RESIDENCIES

Acadia Art Program Fellowship, Northeast Harbor, Maine, 1997
AICA International Association of Art Critics, Exhibition Award, 1999
AICA International Association of Art Critics, Exhibition Fellowship Award, 1995
Anonymous Was A Woman, Artist Grant, New York, New York, 2007
Art Academy of Cincinnati, Honorary Doctorate, Cincinnati, Ohio, 2001
Art Matters, Inc., Artist Grant, New York, New York, 1989
Artists Space, Committee for the Visual Arts, Inc., New York, New York, 1987, 1986, 1984
Asian Cultural Council, Japan Fellowship, New York, New York, 1992/1993
Augustus Saint-Gaudens Memorial Foundation, Sculpture Fellowship, Cornish, New Hampshire, 1987
Bruce Museum, Icon Award in the Arts, Greenwich, Connecticut, 2018
Civitella Ranieri Center, Visual Arts Fellowship, Umbertide, Italy, 2005
CUE Art Foundation, Honoree, New York, New York, 2009
John Simon Guggenheim Memorial Foundation, Fellowship, New York, New York, 1989
La Napoule Art Foundation, Residency, Mandelieu-La Napoule, France, 1993
Massachusetts Council on the Arts and Humanities, New Works Grant, Boston, Massachusetts, 1988
Museum of Modern Art, Glen Dimplex Award Finalist, Dublin, Ireland, 2000
National Academy of Design, Inducted Member, 2018, New York, New York, 2018
National Endowment for the Arts, International Exchange Fellowship, France, 1990
National Endowment for the Arts, Sculpture Fellowship, Washington, DC, 1990
National Endowment for the Arts, US/Mexico Creative Artists’ Residency Grant, International Exchange, 1994
New York Foundation for the Arts, Sculpture Fellowship, New York, New York, 1988
Pollock-Krasner Foundation, Inc., Artists Grant, New York, New York, 1987
Sirus Project, Cobh Fellowship, County Cork, Ireland, 2000
Southeastern Center for Contemporary Art, Awards in the Visual Arts, Winston-Salem, North Carolina, 1990
The Joan Mitchell Foundation, Sculpture Grant, New York, New York, 1998
The Rockefeller Foundation, Bellagio Residency, Italy, 1990

MONOGRAPHS

Antonsen, Lasse. Nomadic Visions. North Dartmouth: Southeastern Massachusetts University, 1988.
Dreishpoon, Douglas. Petah Coyne: Photographs. New York: Laurence Miller Gallery, 1996.
Dreishpoon, Douglas. Eleanor Heartney and Nancy Princenthal. Petah Coyne: Above and Beneath the Skin. Buffalo: Albright-Knox Art Gallery, 2005.
Markonish, Denise, Joseph C. Thompson, A.M. Homes, Rebecca Solnit and Petah Coyne. Petah Coyne: Everything That Rises Must Converge. New Haven: Yale University Press; North Adams, MA: MASS MoCA, 2010.
Princenthal, Nancy. Petah Coyne: Fairy Tales. Kilkenny: The Butler Gallery, 1999.
Rubin, David S. Petah Coyne. Cleveland: Cleveland Center for Contemporary Art, 1992.
Sorkin, Jenni. Having Gone I Will Return. New York: Galerie Lelong, 2018.
Sultan, Terrie and Carrie Przybilla. Petah Coyne: black/white/black. Washington, D.C.: The Corcoran Gallery of Art, 1996.
Wilson Lloyd, Ann and Leslie Scalapino. Petah Coyne: Vermilion Fog. New York: Charta Books and Galerie Lelong, 2008.

BOOKS/EXHIBITION CATALOGUES/BROCHURES

Albright-Knox Art Gallery, On View: Petah Coyne. (brochure) Buffalo Fine Arts Academy, May/June 2006.
Albright-Knox Art Gallery, Albright-Knox Art Gallery Annual Report 2005-2006. (catalogue) Buffalo Fine Arts Academy, 2005/6: p. 12.
Alonso and Marful, RE-ACTION genealogy and countercanon. (catalogue) Casal Solleric, Mallorca, 2016.
Anderson, Maxwell L. Whitney Biennial 2000. (catalogue) The Whitney Museum of American Art, New York, NY: p. 78-9, 234.
Anna C. Noll. Vital Forces of Nature in Contemporary Abstraction. (brochure) The Heckscher Museum, Huntington, NY, 1991.
Ansen, Selen, Süreyyya Evren, Derek Krueger, Paul Magdalino, Henry Maguire, and Brigitte Pitarakis. You Know Who. (catalogue). Istanbul: Vehbi Koç Vakfi Sadberk Hanum Müzesi, 2022.
Antonsen, Lasse. Nomadic Visions. (catalogue) Southeastern Massachusetts University, North Dartmouth, MA, 1988.
ARS 06: Sense of the Real. (catalogue) Museum of Contemporary Art Kiasma, Helsinki, Finland.
Arthurs, Alberta and Glenn Wallach. Crossroads: Art and Religion in American Life. New York: The New Press, 2002: front cover.
ARTiculations, Above and Beneath the Skin. (brochure) Scottsdale Museum of Contemporary Art, Scottsdale, AZ, 2006.
Artists Take On Detroit: Projects For The Tricentennial. (brochure) The Detroit Institute of Arts, Detroit, Michigan, 2001.
Ashton, Dore. Monumental Propaganda. (catalogue) Independent Curators Incorporated and Smithsonian Institute, New York, December, 1994.
Asian Cultural Council. 50 Years: Celebrating Fifty Years of Excellence and Transformation Through Cultural Exchange. Ed. Stanford Makishi. New York: ACC, 2014.
Blanton Museum of Art. Through the Eyes of Texas: Masterworks from Alumni Collections. (catalogue) Blanton Museum of Art, The University of Texas at Austin, Austin, TX: pp. 10, 25.
Bloom, Michelle E. Waxworks: A Cultural Obsession. Minneapolis: University of Minnesota Press, 2003: pp. 245-55.
Brenson, Michael. Visionaries and Outcasts, The NEA, Congress, and the Place of the Visual Artist in America. New York, NY: The New Press, 2001.
Bright, Susan, Enrique Juncosa, Sean Kissane, David Kronn and Carol Squiers. Out of the Dark Room: The David Kronn Collection. Irish Museum of Modern Art, Dublin, Ireland: 2011: pp. 154-155.
Buhmann, Stephanie. New York Studio Conversations (Part II): Twenty-One Women Talk About Art. Berlin: The Green Box, 2018.
Buser, Thomas. Experiencing Art Around Us. New York: West Publishing Company, 1995: pp. 324-5.
Chicago Cultural Center. Petah Coyne: Above and Beneath the Skin. (brochure) Sidney R. Yates Gallery, 2005.
Ciclo Creating With What We Have. (catalogue) Centro Cultural Banco do Brasil, 2014.
Civitella Ranieri 2005. (catalogue) Civitella Ranieri Foundation, New York, NY and Umbertide, Italy, 2005: p. 6.
Coller, Barbara. Millennium Messages. (catalogue) Heckscher Museum of Art and Smithsonian Institution Traveling Exhibition Service, Huntington, NY, 1999: p. 12.
Coronart. Berlin: Ludvig Rage Club, 2021
Collischan, Judy. “Petah Coyne.” Neuberger Museum of Art 1997 Biennial Exhibition of Public Art. (catalogue) Neuberger Museum, Purchase, NY, 1997.
Cross, Jennifer. Summer Exhibitions, 1986. (catalogue) East Hampton Center for Contemporary Art, East Hampton, NY, 1986.
Cross, Susan and Denise Markonish. Sol LeWitt: 100 Views. New Haven, CT: Yale University Press; North Adams, MA: MASS MoCA, 2009: p. 38.
Currey, Mason. Daily Rituals: Women at Work. New York: Alfred A. Knopf, 2019.
Davies, Hugh M. Lateral Thinking: Art of the 1990s. (catalogue) Museum of Contemporary Art, San Diego, CA, 2002: p. 119.
Davis, Keith F. An American Century of Photography. Kansas City: Hallmark Cards Inc., 1999: pp. 410, 465.
Delmez Welborn, Katie. Petah Coyne, Fairy Tales. (catalogue) Frist Center for the Visual Arts, Nashville, TN: October/November 2001.
Desmett, Don. Transforming Social Order. (brochure) Temple Gallery, Philadelphia, PA, 1996.
Dreishpoon, Douglas, ed. Modern Sculpture: Artists in their Own Words. Oakland: University of California Press, 2022.
Dreishpoon, Douglas, et al. Above and Beneath the Skin. Buffalo, New York: Albright-Knox Art Gallery, 2005.
Eccher, Danilo, ed. CRAZY: La follia nell’arte contemporanea. (catalogue) Milan: Skira, 2022.
Einspruch, Julia, Elizabeth Finch, James Marcovitz, Helen Molesworth, and Lydia Yee. The (Un) Making of Nature. (catalogue) Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, 1990.
Exceeding The Standards. (brochure) Oakwood Schools Education Foundation, Dayton, OH, 2004.
Ferrer, Elizabeth and Muffet Jones. Terra Ferma, Land and Landscape in Art of the 1980’s. (catalogue) Columbia University, New York, 1989.
Fig, Joe. Inside the Artist’s Studio. New York: Princeton Architectural Press, 2015.
Fine, Fred. Sculpture Chicago ’84. (catalogue) Sculpture Chicago, Chicago, IL, 1984.
Fine, Ruth E. and Kathleen McManus Zurko. Prints from Solo Impressions. (catalogue) Wooster Art Museum, Wooster, OH, 1994.
Gerozissis, Christoph. The Invisible Force: Nomadism as Art Practice. (catalogue/brochure) Polk Museum of Art, Lakeland, FL 1995.
Gibbons, Arthur. Square Bubbles. (catalogue) Mandeville Gallery, Nott Memorial, Union College, Schenectady, NY, 1996.
Giovannotti, M. and J.B. Korotkin. Neo Baroque! (catalogue) Byblos Art Gallery, Verona, Charta, Milano 2005.
Glasstress Boca Raton. (catalogue) Venice: Fondazione Berengo, 2016.
Glasstress Sopot. (catalogue) Sopot: Państwowa Galeria Sztuki, 2023. 66-67.
Glasstress: Window to the Future. (catalogue) Venice: Fondazione Berengo, 2021. 98-101.
Goldberg, Elyse. Souvenirs/documents: 20 years. (catalogue) PS 122 Gallery, New York, NY, 1999: p. 23.
Goldman, Judith and Leslie Scalapino. War And Peace. (journal) Oakland, CA: O Books, 2009: p. 1.
Goncharov, Kathleen. The Forest: Politics, Poetics, and Practice. (catalogue) Nasher Museum of Art at Duke University, 2005.
Goncharov, Kathleen. Glasstress Boca Raton. (catalogue) Boca Raton: Boca Raton Museum of Art, 2017.
Goodman, Jonathan. Elisa D’Arrigo: An Art of Increments. (catalogue) Elizabeth Harris Gallery, New York, NY, 2003.
Gorman, Roger, and Peacock, Robert. Sleep: Bedtime Reading. New York: Universe Publishing,1998: pp. 64-5.
Gosselin, Claude. Art Contemporain 1990. (catalogue) Centre International D’Art Contemporain de Montreal, Montreal.
Grachos, Louis, et al. Decade: Contemporary Collecting 2002–2012. (catalogue) Albright-Knox Art Gallery, Buffalo, NY, 2012: pp. 44, 45, 51n1, 306, 314, 402, 409.
Great Women Artists. New York: Phaidon, 2019
Gurgel, Thais. CICL: Creating With What We. (catalogue) Centro Cultural Banco do Brasil, Sao Paulo, Brazil, 2014.
Hall-Duncan, Nancy and Peter C. Sutton. Contemporary + Cutting Edge: Pleasures of Collecting, Part III. (catalogue) Greenwich, CT: Bruce Museum, 2007.
Heartney, Eleanor. Post Modern Heretics: The Catholic Imagination in Contemporary Art. New York: Mid March Arts Press, 2004.
Heinzelman, Kurt. Desire. (catalogue) Austin, Texas: Blanton Museum of Art at the University of Texas at Austin, 2010: pp. 14-15.
Heller, Nancy G. Women Artists. The National Museum of Women in the Arts, Washington D.C., Rizzoli International Publications, Inc., 2000: pp.174-5.
Hess, Elizabeth and Mel Bochner. In the Lineage of Eva Hesse. (catalogue) The Aldrich Museum of Contemporary Art, Ridgefield, CT, 1992.
Hixon, Kathryn. Awards in the Visual Arts. (catalogue) Southeastern Center for Contemporary Art, Winston-Salem, NC, 1991.
Installation by Petah Coyne. (catalogue) Southeastern Massachusetts University Art Gallery, North Dartmouth, MA, 1991.
Kardon, Peter F., Eunice R. Schwager and G. Thomas Tanselle. The John Simon Guggenheim Memorial Foundation 1925–2000: A Seventy-Fifth Anniversary Record. New York, NY: John Simon Memorial Foundation, 2001: p. 159.
Keough, Jeffrey. Rapture. (catalogue) Massachusetts College of Art, Bakalar & Huntington Galleries, Boston, MA, 2000: pp. 40-1.
Kilkenny Arts Festival ’99. (catalogue) Kilkenny, Ireland, Kilkenny Festival,1999: pp. 4, 18.
King, Michelle Bolton, ed. Marking 20 Years: Kemper Museum of Contemporary Art. Kansas City: Kemper Museum of Contemporary Art, 2014: pp. 54-55, 199, front cover.
Kitade, Chieko, ed. Passion Complex: Selected Works from the Albright-Knox Art Gallery. (catalogue) 21st Century Museum of Contemporary Art, Kanazawa, Japan, 2007: pp. 32-5.
Knowles, Susan. Fabricated Nature. (catalogue) Boise Art Museum, Boise, ID, 1994.
Korman, Jane. Splendid Settings: The Art + Craft of Entertaining. Quebec, Canada: Groupe PDI, 2010.
Kotik, Charlotta. Untitled Installation. (brochure) The Brooklyn Museum, Brooklyn, NY, 1989.
Landau, Ellen G. and Marjorie Talalay and Anselm. 25 Years, A Retrospective. (catalogue) Cleveland Center for Contemporary Art, Cleveland, OH, 1993.
Lea, Robyn. A Room of Her Own: Inside the Homes and Lives of Creative Women. Melbourne: Thames & Hudson, 2021
Lewis, Toby Devan, Dan Cameron and Tony Morrison. Petah Coyne et al. Artworks: The Progressive Collection. New York, NY: Distributed Art Publishers, Inc., 2007: pp. 128-9.
Life Forms: Contemporary Organic Sculpture. (brochure), Albright College, Reading, PA, 1988.
Lippard, Lucy R. The Pink Glass Swan. New York, NY: The New Press, 1995: pp. 8, 18.
Lloyd, Ann Wilson, Jeffrey Keough, Suzanne Ramljak and Susan Hapgood. Object Lessons: Feminine dialogue with the surreal. Massachusetts College of Art, Boston, MA, 1995: pp. 18-19.
Maheu-Viennot, Isabelle. Artistes a’ la Napoule. (catalogue) Editions Du Cygne, La Napoule Art Foundation, Napoule, France, 1993.
Matthews-Berenson, Margaret. ArtTable: 16th Annual Awards Ceremony and Benefit Luncheon. (catalogue) New York, NY: ArtTable, 2009: pp. 16-17.
McParland, Brenda. The Glen Dimplex Artists Award 2000. (catalogue) Irish Museum of Modern Art, Dublin, Ireland, 2000: pp. 4-7.
Miller, Arja. Kiasma Hits: Kiasma collections [27.9.2013 - 31.08.2014]. Helsinki: Kiasma, 2013.
Monaghan, Kathleen. Elements: Five Installations. (catalogue) Whitney Museum of American Art at Equitable Center, New York, NY, 1987.
Myk, Malgorzata. Upping the Ante of the Real: Speculative Poetics of Leslie Scalapino. Berlin: Peter Lang, 2019.
Nasher Museum of Art at Duke University. Nasher 10. (catalogue) North Carolina: Nasher Museum of Art at Duke University, 2015.
Negroponte, George and Roger Shepherd. Drawing in the Present Tense. (catalogue) Parsons School of Design, New York, NY, 1999: p. 70.
Nevada Museum of Art. Late Harvest. (catalogue) Reno: Nevada Museum of Art, 2015.
Nine Contemporary Sculptors: Fellows of the Saint-Gaudens Memorial. (brochure) The UBS Art Gallery, New York, NY, 2005.
No Boundaries. (catalogue) New York: Marlborough Gallery, 2017.
Noey, Christopher. The Artist Project: What Artists See When They Look At Art. New York: The Metropolitan Museum of Art. Phaidon Press, 2017.
Page, Judith. Strike. (catalogue) Valencia College, Orlando, FL, 1989.
Petah Coyne: Above and Beneath the Skin. (brochure) Kemper Museum of Contemporary Art, Kansas City, MO, 2005.
Petah Coyne. (catalogue) Cleveland Center for Contemporary Art, Cleveland, OH, 1992.
Petah Coyne: Fairy Tales. (catalogue) The Butler Gallery, Kilkenny, Ireland, 1999.
Petah Coyne: Photographs. (catalogue) New York and Greensboro: Laurence Miller Gallery and Weatherspoon Art Gallery, 1996.
Petah Coyne: A Silver Pied Peacock. (catalogue) Houston: Nancy Littlejohn Fine Art, 2022.
Petah Coyne: Vermilion Fog. (catalogue) Milan: Edizoni Charta, 2008
Philbrick, Harry. Best of the Season. (catalogue) Aldrich Museum of Contemporary Art, Ridgefield, CT, 1999: p. 5.
Posner, Helaine, Nancy Princenthal, and Sue Scott. After the Revolution: Women Who Transformed Contemporary Art. Munich, London, New York: Prestel, 2007: pp. 19, 184, 266.
Powers, Lynn. Killer Art. New Orleans, LA: Pontabla Press, 1999: pp. 37-8.
Princenthal, Nancy. Other Choices, Other Voices. (brochure) Islip Art Museum, East Islip, NY, 1995.
Rapaport, Brooke Kamin, et al. Houdini: Art and Magic. New Haven, CT: Yale University Press, 2010.
Richer, Francesca and Matthew Rosenzweig. No. 1, First Works by 362 Artists. New York: D.A.P., 2005.
Richard, Frances, ed. I Stand in My Place with My Own Day Here: Site-Specific Art at The New School. New York: The New School, 2019.
Richards, Judith Olch, ed. Inside the Studio: Two Decades of Talks with Artists in New York. New York: Independent Curators International (ICI), 2004.
Robson, Julien, ed. Great Meadows: The Making of Here. Ostfildern, Germany: Hajte Cantz, 2014: p. 88-92.
Rockefeller Foundation. The Bellagio Center: The First 50 Years. New York, NY: The Rockefeller Foundation, 2009: pp. 92-3.
Rodriguez, Geno. Endangered Species: Ecological Commentaries. (catalogue) Alternative Museum, New York, NY, 1987.
Rogers-Lafferty, Sarah. Standing Ground: Sculpture By American Women. (catalogue) The Contemporary Arts Center, Cincinnati, OH, 1987.
Roman, Christopher. Empty. (catalogue) New Britain, 1999.
Rubin, David S. Birdspace: A Post-Audubon Artists Aviary. (catalogue) Contemporary Arts Center, New Orleans, LA. 2005.
Rubinstein, Charlotte Steifer. American Women Sculptors: A History of Women Working in Three Dimensions. Boston: G.K. Hall & Company, 1990: pp. 558-60.
Scalapino, Leslie. It’s go in horizontal. Berkeley and Los Angeles, CA: University of California Press, 2008: cover.
______. It’s go in/ quiet illumined grass/ land. Sausalito, CA: The Post-Apollo Press, 2002: p. 31.
______. Zither & Autobiography. Middletown, CT: Wesleyan University Press, 2003: cover.
______. How Phenomena Appear To Unfold. Brooklyn, NY: Litmus Press, 2011. back and front covers.
______. The Public World / Syntactically Impermanence. Hanover, NH: University Press of New England, 1999: cover.
Scottsdale Museum of Contemporary Art. Inside/ Out. (brochure) Scottsdale, AZ, January–May 2006.
Shaw, Reesey, ed. Inside: The work of Saint Clair Cemin, Joel Otterson, and others: Jonathan Borofsky . . . [et al.] : June 22 through October 13, 1996. (catalogue) Escondido, CA: California Center for the Arts Museum, 1996.
Shermata, Margo Mensing. Natural Forces/ Human Observation. (brochure) Kansas City Art Institute, Kansas City MO, 1992.
Shirley, David M. Masters of the Masters: MFA Faculty of the School of Visual Arts, New York, 1983–1998. (catalogue) Butler Institute of American Art, Youngstown, OH.
Sidney R. Yates Gallery. Petah Coyne: Above and Beneath the Skin. (brochure) Chicago Cultural Center, Chicago, IL, 2005.
Smith, Susan. Quickening. (brochure) Creative Arts Workshop, New Haven, CT, 1997.
Snyder, Kit-Yin. Personal Poetics. (catalogue) Sala 1, Rome, Italy, 1987.
Solnit, Rebecca. As Eve Said to the Serpent: On Landscape, Gender, and Art. Athens, GA: The University of Georgia Press, 2001: p.155.
Somerville, Kristine. “Extremes: The Power of Scale in Art.” The Missouri Review 41, No. 3. (catalogue) Columbia: The College of Arts & Science of the University of Missouri, 2018.
Spretnak, Charlene. Missing Mary: The Queen of Heaven and Her Re-emergence in the Modern Church. New York: Palgrave Macmillan, 2004.
Sterling, Susan Fisher. Steven Scott Collects. (brochure) National Museum of Women in the Arts, Washington, D.C., 2005.
Store, Barbara. New York’s New and Avant-Garde Art Galleries. New York City: City and Company, 1999: p. 68.
Street, April. The Human Habit: An Exhibition of Clothing-Inspired Sculpture. (catalogue) William King Regional Arts Center, Abingdon, VA 1998.
Sultan, Terrie and Carrie Przybilla. Petah Coyne, black/white/black. (catalogue) The Corcoran Gallery of Art and the High Museum, Washington and Atlanta, 1996.
Sultan, Terrie, Colin Gardner, David Pagel and Claudia Schmuckli. Damaged Romanticism: A Mirror Of Modern Emotion. Houston, TX: Blaffer Gallery the Art Museum of the University of Houston; London, England: D. Giles Limited, 2008: pp. 74-9.
Sorkin, Jenni. Having Gone I Will Return. New York: Galerie Lelong, 2018.
Tanaka, Hiroko. Art is Beautiful: Interviews with New York Artists. Tokyo: Kawade Shobo Shinsha Publishing, 1990: pp. 135-40.
The Annual 2006 School of Visual Arts. (catalogue) School of Visual Arts, New York, NY , 2006: pp. 28-9.
The Armory Show 2002. (catalogue) The Armory Show, New York, NY, 2002.
The Big Reveal. (brochure) The Kemper Museum of Contemporary Art, Kansas City, MO, 2011.
The Flower Show. (digital catalogue). Venice: L.A. Louver, 2023.
The New School Collects. (brochure) New School for Social Research, New York, 1991.
The Vera List Center for Art and Politics. (brochure) The New School, New York, 1996.
This Is Not Your Ordinary Art Catalogue, This Is Faith. (catalogue) The Aldrich Museum of Contemporary Art, Ridgefield, CT, 2000: pp. 20, 42-3.
Thompson, Cynthia. Cold Comfort. (catalogue) Memphis College of Art, Memphis, TN, 2003.
Tilden, Scott J., ed. Architecture for Art: American Art Museums, 1938–2008. New York: Abrams, 2004.
Tolnick, Judith. Alternative Supports: Contemporary Sculpture on the Wall. (catalogue) Brown University, Providence, RI, 1987.
Twenty-first Annual Gala Benefit and Art Auction. (catalogue) New Museum, New York: 1998.
Unbreakable: Women in Glass. (catalogue). Venice: Fondazione Berengo, 2021
Unfinished Memories: 30 Years of Exit Art. Germany: Steidl Publishers, 2016.
Vandenbroeck, Paul. A Glimpse of the Concealed. Antwerp: Royal Museum of Fine Arts, 2017.
Van Dyke, Jonathan. Coming Off the Wall. (catalogue) The Susquehanna Art Museum, Harrisburg, PA 1998.
Van Wagner, Judy K. Collischan. Line of Vision: Drawings by Contemporary Women. New York: Hudson Hill Press, 1989: p. 40.
Vitreous Bodies Assembled in Glass. (brochure) Massachusetts College of Art and Design-Bakalar & Paine Galleries, 2017.
Wat, Kathryn. Revival. (catalogue) Washington, D.C.: National Museum of Women in the Arts, 2017.
Watson, Denise Brennan. “Alumni News.” Art Academy of Cincinnati. Cincinnati, Ohio, 2012: p. 27.
Wayson, Anne and Melissa Banta. Essence and Persuasion: The Power of Black and White. (catalogue) Anderson Gallery, Buffalo, NY, 1995.
Weatherspoon Art Museum. American Art 1960–Present: Selections from the Permanent Collection. (brochure) Greensboro, NC, 2004.
Weber, Bruce and Douglas Dreishpoon. The Emerging Figure. (catalogue) Norton Gallery of Art, West Palm Beach, 1989.
Weld, Alison. The Figure Abstracted: Intimated Presences. (catalogue) Rutgers University, Newark, NJ, 1986.
Whitney Museum of American Art. American Visionaries: selections from the Whitney Museum of American Art. Introduction by Maxwell L. Anderson. New York, NY, 2001: p. 80.
Wicks, Stephen C. Forest of Visions. (catalogue) Knoxville Museum of Art, Knoxville, TN, 1993.
Wier, Cynthia. Whimsical, Serious or Reverent. (brochure) The Houston Festival, Houston, TX, 1985.
Wilson Lloyd, Ann, Jeffrey Keough, Suzanne Ramljak and Susan Hapgood. Object Lessons: Feminine dialogue with the surreal. Boston: Massachusetts College of Art, 1995.
Womanology. Coleccíon José Ramón Prieto. (catalogue) Bilbao: The Bilbao Fine Arts Museum, 2021.
Women Artists. New York, NY and London, England: Abbeville Press Publishers, 1995, 2010: p. 292.
Yau, John. A Contemporary View of Nature. (catalogue) The Aldrich Museum of Contemporary Art, Ridgefield, CT, 1986.
150 Make Art. Make A Difference. Cincinnati: The Art Academy of Cincinnati, 2018.

PERIODICALS (MAGAZINE/NEWSPAPER/INTERNET ARTICLES)

2023

2022

2021

2020

2019

2018

2017

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Oczypok, Kate. “ArtsWatch: Architect Selected for Bezos Learning Center; Phillips Collection Acquisitions.” The Georgetowner, August 17, 2023.

“Gallery Exhibit: Parallels and Rupture.” Berks County Living, August 16, 2023.

Juskowiak, Monika. “Glasstress Sopot, Unveiled Realities: The first Polish installment of the international project by Adriano Berengo.” Contemporary Lynx, August 16, 2023.

“LongHouse Reserve 2023 Summer Benefit honors Mary Heilmann and A.M. Homes.” Social Life, August 10, 2023.

Owen, Morgan. “Honoring the Humble Flower: LA Louvre hosts show focused solely on botanicals.” The Argonaut, August 3, 2023

Rucker, Erica. ‘Rounding the Circle: The Mary and Al Shands Collection,’ Comes To A Close Aug. 6.” LEO Weekly, July 27, 2023.

"LongHouse Reserve Summer Benefit Honoring Mary Heilmann, And A. M. Homes." Harlem World, July 26, 2023.

"The North Star that guides the lost | Petah Coyne, queen of composite media, comes to Taiwan to exhibit new wax sculptures." BeautiMode, July 18, 2023.

"From Venice to Sopot. The exhibition 'Glasstress: Unveiled Realities' has started," Property Design, July 10, 2023.

Siyi, Yang. "New York's Contemporary Queen of Mix Media Spent Nine Years Creating 'North Star,'" Business Weekly, July 9, 2023.

“Glasstress. International exhibition from Murano." Cultural Sopot, June 27, 2023.

Bikel, Megan. "Walking Speed: A Curator's Tour of the Mary and Al Shands Collection." New City Art, June 26, 2023.

Given, Molly. “Ways to Celebrate Juneteenth in Philadelphia.” Metro Philadelphia, June 15, 2023.

Goergen, Stacey. “The Sun is Rising.” Arts Magazine, June 13, 2023.

Villarreal, Jose. “L.A. Louver beings the presentation of the exhibition ‘The Flower Show.’ Artdaily, June 7, 2023.

Cane, Hesper. “L.A. Louver Brings together 50 Artists Who Have Embraced the Floral Motif.” Widewalls, June 5, 2023.

“L.A. Louver Presents The Flower Show.” ArtNowLA, May 31, 2023.

“The 4th Taipei Contemporary Art Fair ended successfully, once again witnessing the vitality and depth of Taiwan’s art market.” Wealth Magazine, May 15, 2023.

Balfour, Frederik. “At Taipei Dangdai, Instagram Bait Mingled With 20th Century Masterpieces, Catering to the Eclectic Tastes of Two Generations of Wealth.” Artnet News, May 15, 2023.

“The 4th Taipei Contemporary Art Fair ended successfully, once again witnessing the vitality and depth of Taiwan’s art market.” Art Emperor, May 15, 2023.

Quing, Yuan. “‘Art’ walks away New York art godmother blockbuster wax sculpture ‘North Star’ Fragile and beautiful guidance?” Yam News, May 13, 2023.

“TAIPEI DANGDAI 2023 | Must-see works at the world-class art fair.” Kaiak TW, May 12, 2023.

Yingru, Tu. “Art and Culture Taipei Contemporary Art Fair debuts 90 word-class galleries gather wonderful works from various countries for dialogue.” Liberty Times Net, May 12, 2023.

“The art I recommend: ‘Taipei Dangdai 2023 Taipei Contemporary.’ 18 works recommended by experts.” ARTouch, May 12, 2023.

Tinghua, Chen. “Taipei Contemporary Art Fair gathers high-quality works from all over the world.” Youth Daily News, May 12, 2023.

Yihui, Chen. “2023 Taipei Contemporary Art Fair opens! The artist leads the audience to meditate directly, leaving shadown and light on the work.” 500Times, May 11, 2023.

“American artist’s orchid wax sculptures exhibited at Taipei Contemporary Art Fair (Photos).” Central News Agency, May 11, 2023.

“Taipei Contemporary Art Fair is estimated to attract 40,000 visitors.” Taro Living, May 11, 2023.

Weng, Erica. “Young and Experienced Collectors Shake Up Taiwan’s Art Scene at Taipei Dangdai 2023.” Artsy, May 10, 2023.

Yiyun, Li. "New York Media Queen Petah Coyne melted the wax into a star convinced of the truth." China Times, May, 10, 2023.

Chang, Nicole Leeandyi. “[Taipei Contemporary 2023] Presenting works of art with historical significance! ‘Art Carrying Points’ Introduction of Taiwan Artist Representatives.” Vogue Taiwan, May 9, 2023.

Huang. "Humanity remains the subject matter." Trensse, May 8, 2023.

Wei, Lilly. “Rising Sun: Artists in an Uncertain America.” Studio International, May 5, 2023.

Cartagena, Rose. “The NY Tyles only had 36 hours in Philly—we can do better.” The Philadelphia Inquirer, April 27, 2023.

“Who Inspires the Women of T?” T: The New York Times Style Magazine, April 23, 2023

“Addison Gallery exhibition shines light on women abstract artists.” Auction Central News, April 13, 2023.

Gralish, Tom and Naveed Ahsan. “5,000 silk flowers and 17 taxidermied peacocks.” The Philadelphia Inquirer. March 31, 2023.

Sheets, Hilarie M. “What Would Ben Franklin Say? Artists Weigh the Dream of Democracy.” The New York Times. March 23, 2023.

Rucker, Erica. “‘Rounding The Circle: The Mary And Al Shands Collection’ Opens at the Speed Museum March 24.” LEO Weekly, March 22, 2023.

Crimmins, Peter. “Is the sun rising or setting on democracy? 20 artists offer ideas at 2 Philly museums.” WHYY, March 22, 2023.

Selden, Richard. “American Art in Philadelphia, at PAFA.” The Georgetowner, March 16, 2023.

Durón, Maximilíano. "Taipei Dangdai Fair Names 90 Exhibitors for 2023 Edition." ARTnews, March 9, 2023.

Tymorek, Stan. "under (the magazine) covers." The Smart Set, March 2, 2023.

"National Museum of Women in the Arts to Reopen October 21, 2023, After Transformative Renovation." East City Art, February 28, 2023.

“National Museum of Women in the Arts to reopen October 21, 2023, after transformative renovation.” Artdaily, March 1, 2023.

Kanter, Evelyn. “Where to Celebrate Women’s History Month.” Evelyn Kanter ecoXplorer, February 28, 2023.

Sarkissian, Raphy. “Phong H. Bui: Symphonies and Meditations at Craig F. Starr. Whitehot Magazine, February 2023.

“National Museum of Women in the Arts to Reopen October 21, 2023, After Transformative Renovation.” PoPville, February 11, 2023.

Ruf, Jessica. “The National Museum of Women in the Arts Will Reopen This Fall After a Blockbuster Renovation—Here’s What to Expect.” Washingtonian, February 16, 2023.

“National Museum of Women in the Arts to Reopen October 21, 2023, After Transformative Renovation.” PoPville, February 11, 2023.

“Speed Art Museum receives more than 170 works of contemporary art from Mary and Alfred Shands Collection.” Artdaily, November 11, 2022.

Greenberger, Alex. “Kentucky’s Speed Art Museum Receives ‘Remarkable’ 177-Piece Gift Rich in Works by Today’s Top Artists.” ARTnews, November 10, 2022.

O’Gorek, Elizabeth. “National Museum of Women in the Arts Slated to Re-Open Fall 2023.” HillRag, October 7, 2022.

Tucci, Amanda. “Crazy, a arte contemporânea em um edifício histórico re Roma.” Artequeacontece, September 20, 2022.

“'İsmi Lâzım Değil' sergisi ziyaretçileri bekliyor.” Habertürk, September 19, 2022.

Bruno, Beatrice. “Tutti sono “CRAZY”: in 100mila alla mostra sulla follia a Roma.” TG Tourism, July 1, 2022.

Milani, Fabio. “Le mostre più belle da vedere a Roma in questi giorni di giugno 2022.” The Post Internazionale, June 24, 2022.

Chua, Ailene. “A Spark of Madness: A new CRAZY Art Exhibit.” Trend Hotspot, June 15, 2022.

Greenberger, Alex. “Toby Devan Lewis, Collector Whose Philanthropy Transformed the New Museum Dies at 87.” ARTnews, May 5, 2022.

Scarano, Carla. “Crazy: La Follia dell’Arte Contemporanea/Crazy: The Madness of Contemporary Art.” London Grip, April 25, 2022.

Tomasini, Beatrice. “Cosa fare a Roma nel weekend di Pasqua.” Grazie, April 15, 2022.

Della Valle, Caterina and Michele Caltagirone. “Crazy: la mostra d’arte contemporanea a Roma è aperta fino all’8 gennaio 2021.” Blasting News Italia, March 21, 2022.

Conoscitore, Michela. “‘Crazy. La follia nell’arte contemporanea’: ventuno artisti giocano con le maschere della pazzia al Chiostro del Bramante.” Bonculture, March 21, 2022
Pansera, Caludia. “Il Chiostro del Bramante invaso da ‘Crazy, la Follia dell’arte Contemporanea.” Juliet, March 4, 2022.
Airoldi, Silvia. “L’agenda delle mostre da vedere questa settimana in tutta Italia.” Elle Decor, February 26, 2022.
Cattaneo, Elena. “Crazy: How is Crazy Contemporary Art?” Rome Central, February 24, 2023.
“Descent into creative madness at Rome’s latest immersive exhibition.” The European Newswire, February 23, 2022.
De Martin, Samantha. “Al Chiostro Del Bramante Crazy. La Follia Nell’arte Contemporanea. Un Viaggio Tra I Sentieri Della Creativà.” Romeing, February 23, 2022.
Farrant, Theo. “Descent into colorful madness at Rome’s latest immersive exhibition.” Euronews, February 23, 2022.
Fauci, Giordana. “In scena, al Chiostro del Bramante, “‘Crazy. La follia nell’arte contemporanea.’” Daily Cases, February 22, 2022.
Caramico, Lauren. “Chiostro del Bramante Presents: CRAZY – Madness in Contemporary Art.” Romeing, February 21, 2022.
“Crazy,” la follia nell’arte contemporanea in scena al Chiostro del Bramante a Roma.” artemagazine, February 21, 2022.
“Crazy la follia è arte al Chiostro del Bramante.” Metro News, February 20, 2022.
Medori, Paola. “’Crazy,’ at Chiostro del Bramante dollia e ribellione dell’arte.” Corriere della Sera, February 19, 2022.
Larcan, Laura. “’Crazy’ al Chiostro del Bramante, il bellow della pazzia secondo 21 artisti.” Il Messagero, February 19, 2022.
Arnaldi, Valeria. “‘Crazy’: a Roma la follia dell’arte si mette in mostra.” Leggo, February 18, 2022.
“‘Crazy, la follia nell’arte contemporanea’: al Chiostro del Bramante debutta la nuova mostra.” The Walk of Fame, February 18, 2022.
Pergolizzi, Tommaso. “Crazy. La follia nell’arte contemporanea. La mostra a Roma.” Lifestar, February 18, 2022.
Gigliotti, Guglielmo. “21 gioiosi matti contemporanei al Chiostro del Bramante.” Il Giornale dell'Arte, February 18, 2022.
Pini, Francesca. “Crazy, una valanga di colori. Dal neon di Fontana all’artista pescivendolo.” Corriere della Sera, February 17, 2022.
“A Roma Per Un ‘Crazy’ Weekend.” Agora News, February 2, 2022.

“Shot the Show: Galerie Lelong’s Miami Pop-UP Shows a Shifting Set of Global Artists.” Artnet News, December 15, 2021

Raggi, Valentina. “Successful women, narrated by their own homes.” Salone del Mobile.Milano, November 30, 2021.

Bondrovskaya, Daria. “Glasstress. Window to the Future.” Russian Art + Culture, October 4, 2021.

“Glasstress – Window to the Future.” Selections, September 30, 2021.

Dansby, Andrew and Amber Elliott. “Art & Exhibits, Preview.” The Houston Chronicle, September 23, 2021.

“15 Minutes With a Price Database Power User: The Head of Photographs at Artnet Auctions on the Evolution of the Market.” Artnet News, June 29, 2021.

Krysa, Danielle. “Curator’s Wishlist.” Beautiful Bizarre Magazine, no. 32 (March 2021).

Breen Burns, Janice. "A Book to Make You Dream, Feel Better, Calm Down…” Voxfrock, March 31, 2021.

Boucher, Brian. "Oops! A New Documentary About the Knoedler Fakes Scandal Accidentally Included an Artist’s Trick Image as Real.” Artnet News, March 5, 2021.

Bhullar, Dilpreet. "‘Rhe: everything flows’ emphasises connection between humans and nature." STIR World, February 10, 2021.

“‘Galleries Curate: RHE’ Brings Together Over 50 Artists To Explore The Theme Of Water.” Something Curated, January 26, 2021.

"Unbreakable: Women in Glass." Vita International, September 16, 2020.

Laster, Paul. "Highlights from Intersect Aspen Online." Whitehot Magazine, July 2020.

Cascone, Sarah. “Editors’ Picks: 16 Things Not to Miss in the Virtual Art World This Week.” Artnet News, April 13, 2020.

“Group exhibition of 25 works by Galerie Lelong & Co.’s artists centers on the color red.” Artdaily, April 9, 2020.

Keane, Sean. “New Butler Gallery in Kilkenny will lift our spirit with dedicated wing to Callan artist Tony O'Malley.” Kilkenny People, March 26, 2020.

Antunez, Laura. “Artist Shares Dead Fish Story at FIU Art Basel Event.” Panther NOW, December 10, 2019.

Graff, Brett. “The Art Week, Episode 4.” Social Miami, December 8, 2019.

Radinsky, Anna. “What To Do At FIU During Art Basel.” Panther NOW, December 4, 2019.

Robbins, Jenna Rose. “Art Basel, Miami’s Biggest Art Event.” Where Traveler, December 4, 2019.

Wooldridge, Jane and Anne Tschida. “Art Week hours, a traffic jam made of sand and Kehinde Wiley: Here’s our Basel bible.” Miami Herald, November 29, 2019.

“Announcing Art Basel 2019 at the Frost Art Museum FIU.” Global Travel Media, November 22, 2019.

“Announcing Art Basel Season 2019 at the Frost Art Museum FIU.” Mi Ciudad TV, November 21, 2019.

“Art Basel x FIU.” 360, November 20, 2019.

“Breakfast in the Park with Petah Coyne by Patricia & Phillip Frost Art Museum.” Miami Art Guide (MAG), October 31, 2019.

Ellaby, James. “Unusual Daily Rituals Of Famous Women Revealed.” Longevity, October 4, 2019.

“Artist Pages: 25 Kemper Watchers Pick 25 Favorites.” KC Studio, September 3, 2019.

Ross, Jenna. “Thoughtful new leader brings ‘a nice shift in tone’ to Walker Art Center.” The Star Tribune, August 17, 2019

Glentzer, Molly. “Art review: Petah Coyne’s ‘Untitled #1411 (Jane Austen) is a frothy delight.” The Houston Chronicle, July 9, 2019.

Loos, Ted. “Inside the Brooklyn Penthouse and Manhattan Exhibition of a Major Collector.” Introspective Magazine, May 16, 2019.

Kelly, Dan. KC events May 16-22: ‘Reflecting Motion’ opens, Troost Festival, Turkey Creek Festival.” The Kansas City Star, May 14, 2019.

Richardson, Breeze. “Lexicon: The Language of Gesture in 25 Years at Kemper Museum.” Cison PRWeb, April 24, 2019.

Wei, Lilly. “Petah Coyne: Galerie Lelong & Co.” Sculpture Magazine 38, no.3 (May/June 2019).

El Genaidi, Deena. “Dallas Museum of Art Acquires Latin American Works, and Library of Congress Acquires Georgia O’Keefe’s Letters.” Hyperallergic, March 28, 2019.

“Artworks From Defunct Corcoran Gallery Enter Collection of Hirshhorn Museum.” Artforum, March 21, 2019.

“Hirshhorn Announces 30 New Works Entering the Museum’s Collection.” Art Daily, March 21, 2019

Chambers, Karen S. “‘Art Academy of Cincinnati at 150: A Celebration in Drawings and Prints,’ Cincinnati Art Museum, through April 28, 2019.” AEQAI, March 3, 2019.

“Francie Bishop Good and David Horvitz donate artworks to The Patricia & Phillip Frost Art Museum.” Art Daily, February 21, 2019.

“Francie Bishop Good and David Horvitz donate artworks to the Patricia & Phillip Frost Art Museum.” Dallas Art Dealers Association, February 20, 2019.

“Art Academy of Cincinnati at 150: A Celebration in Drawings and Prints.” Dayton Daily News, February 8. 2019.

Goodman, Jonathan. “‘Epic Abstraction’ at the Metropolitan Museum of Art.” Arte Fuse, February 1, 2019.

Motsinger, Carol. “This Cincinnati institution just turned 150. And its history is full of surprises.” The Cincinnati Enquirer, January 16, 2019.

Cham, Dora. “Hidden Gems of Manhattan.” The Science Survey, December 26, 2018.

Rosen, Steve. “The Cincinnati Art Academy Celebrates 150 Years with a New Book.” CityBeat, November 6, 2018.
Jow, Tiffany. “Close-Ups,” Surface 150, The Art Issue, 2018.
Sutton, Benjamin. “Why Galleries Are Joining the Podcast Wave.” Artsy, November 2, 2018.
Dunne, Susan. “Art Smart News: YUPntwk Picks Pitch Contest Finalists; Audible Releasing ‘Twain’s Feast.’” Hartford Courant, October 25, 2018.
Russeth, Andrew. “One Divine Hammer: Petah Coyne Goes Deeper Into Darkness at Galeire Lelong in New York.” ARTnews. October 23, 2018.

Smith, Scott. “Bruce Museum to Host Icon Awards in the Arts.” Hamlet Hub, October 20, 2018
Goodman, Jonathan. “Petah Coyne with Jonathan Goodman.” The Brooklyn Rail. October 3, 2018.

Pearce, Kitty. “Quick and Quiet, Big Medium (REVIEW).” ArtProfiler, September 29, 2018.

Votang, Thao. “Between the Sublime and Decay: Ann Wood’s ‘Quick and Quiet.’ Sightlines, September 25, 2018.

“‘Petah Coyne: Having Gone I Will Return’ at Galerie Lelong & Co., New York.” Blouin ArtInfo, September 13, 2018.

Sheets, Hilarie M. “Studio Visit: An Artist Who Champions and Channels Female Voices.” The New York Times, September 13, 2018.

“Fall Preview- Petah Coyne: ‘Having Gone I Will Return.’” New York Magazine, September 3-16, 2018.

Drake, Sarah. “NYC Gallery Scene – Highlights Through September 16, 2018.” Hamptons Art Hub, September 10, 2018.

“49 Must-See Art Shows Opening This Fall From Daniel Arsham, Carmen Herrera, Irving Penn, and more.” Vulture, September 6, 2018.

“ADAA September Chelsea Exhibitions.” ADAA (The Art Dealers Association of America), September, 2018.

Cascone, Sarah and Caroline Goldstein. “From Joan Mitchell’s Early Works to Daniel Arsham’s Dystopian Future: 45 Can’t-Miss Gallery Shows in New York This September.” Artnet News, August 30, 2018.

“Petah Coyne: Having Gone I Will Return.” Galerie Lelong & Co., July 31, 2018.

Blouin Artinfo. “’Having Gone I Will Return’ by Petah Coyne at Galerie Lelong & Co., New York.” Blouin ArtInfo, July 23, 2018.

Smart, Jennifer. “How To Get More Out of Dallas Art Fair Than Ever Before.” D Magazine, April 9, 2018.

“REVIVAL at the National Museum of Women in the Arts, Washington, DC.” Blouin ArtInfo. August 18, 2017.
Haight, Emily. “Mixed Media Majesty: Petah Coyne.” National Museum of Women in the Arts Blog. July 10, 2017.
Hope, Eric. “East City Art Reviews: Revival at the National Museum of Women in the Arts.” East City Art. June 28, 2017.
“Exhibition Examines Spectacle and Transcendence in Contemporary Art by Women.” Art Daily. June 27, 2017.
“Photography at the Denver Art Museum.” Wall Street International. June 27, 2017.
“National Museum of Women in the Arts Presents Revival Group Exhibition.” East City Art. June 19, 2017.
Cirisano, Tatiana. “13 Art Exhibits You Don't Want To Miss This Summer.” Nylon, May 22, 2017.
Bian, Xiao. “The World’s Top Corporate Art Collection.” 1718 Online, May 2, 2017.
“Nunu Fine Art News.” April 1, 2017– May 14, 2017.
Evans, Dayna. “18 Female Artists on Their Favorite Female Artists.” New York Magazine, April 5, 2017.
Morris, Matt. “Why Did Petah Coyne’s Work Make Me Cry?” Sculpture Magazine, April 2017.
“Marlborough Gallery Opens Group Exhibition Featuring Sculptures by Thirteen Women.” Art Daily, March 8, 2017.
“9 Art Events to Attend in New York City This Week.” ARTnews, March 6, 2017.
“Nunu Fine Art News.” February 11, 2017–March 26, 2017.
Gimson, Gabi. “MassArt Gallery Unveils First Glass Exhibit in 30-year History as Major Boston Arts Venue.” UrbanGlass, January 24, 2017.

“Nunu Fine Art News.” December 18, 2016– February 5. 2017 Angelini, Roberta. “Glass Soul.” ELLE Italia. October 2016.
Chiang, Denise. “Life Beyond Living.” Mintazine. October 2016.
Chen, Yihua. “Scent of Freedom.” Art Investment. October 2016.
Chen, Ronnie. “Petah Coyne: A Free Life.” Core Interior. October 2016.
Chiang, Cathy. “The Free Soul.” Taiwan Tatler. October 2016.
Ku, Hsuan. “What is Freedom.” Marie Claire Taiwan. October 2016.
“A Deep Desire for Freedom: New York Based Artist Petah Coyne’s Latest Solo Show.” The News Lens. September 15, 2016.
Yu Yun, Lin. “American Contemporary Sculptor and Photographer Petah Coyne’s First Solo Exhibition in Asia.” Art International. September 14, 2016.
“New York Wax Sculpture Master Petah Coyne Visits Legend River Building.” PCHome. September 13, 2016.
“New York Wax Sculpture Master Petah Coyne Visits Legend River Building: Combining Eastern and Western Art Themes to Present New Aesthetics.” Yam News. September 12, 2016.
Yi Qiao, Qui. “Petah Coyne Solo Exhibition: Looking at Her Vision” The News Lens. September 11, 2016.
Ter, Dana. “Art Exhibitions Listings.” Taipei Times. September 8, 2016.
“Art Events: Brave the Chilly Fall Weather.” The News Lens. September 2, 2016.
Grenville, Stuart. “Flowers Bloom From Wax, Fragrant Words Form.” Wealth Magazine. August 31,2016.
“Godmother of MOMA New York and Contemporary Art in New York Petah Coyne to mount exhibition in Asia; her first in Taiwan.” ELLE Taiwan. August 23, 2016.
Lasky, Julie. “Wild & Wonderful.” Galerie Magazine. April, 2016.
Beaupré, Marie-eve, and Amélie Giguére. “Petah Coyne: The Appeal of Materials.” The Magazine of the Montreal Museum of Fine Arts, January–April 2016.
Hagel, Caia. “The Real Guerrilla Girls.” Aesthetica Magazine. April 23, 2016.
Simmon, William. “Flashlight: Narrative Collaborative.” CRUSHFanzine. April 21, 2016.
Kwinter, Taia. “5 Exhibitions to See in April” Aperture, April 7, 2016.
“Corporate Artwork: A Powerful Communication Strategy.” dkgallery Blog, March 18, 2016.
“Art Minute: Petah Coyne Untitled #1176 (Elisabeth-Elizabeth).” Toledo Museum of Art Blog, March 18, 2016.
Croak, James. “Critics Review: Highs and Lows at The Armory Show’s Contemporary Pier.” Hamptons Art Hub, March 3, 2016.
Beaupré, Marie-eve, and Amélie Giguére. “Petah Coyne: The Appeal of Materials.” The Magazine of the Montreal Museum of Fine Arts, January to April 2016.

Pogrebin, Robin and Brett Sokol. “Art Basel Miami Beach: A Focus on Female Artists.” The New York Times, November 26, 2015.

“Nunu Fine Art News.” September 27 – October 25, 2015.
Fiocca, Brittany. “Victorian Decadence & Visual Decay.” National Museum of Women in the Arts Blog, July 22, 2015.

“Nunu Fine Art News.” July 4 – August 9, 2015.
Nunu Fine Arts. “Latest News.” July 4, 2015.
“Into Dust: Traces of the Fragile in Contemporary Art.” Philadelphia Museum of Art, June 6, 2015.
“Nunu Fine Art News.” May–June 2015.

Cammarata-Seale, Heather. “Petah Coyne: Taxidermy and Ecofeminism.” Woman’s Art Journal, Spring/Summer 2015.
“A mostra ‘ciclo—criar com o que temos’ chega ao CCBB Brasilia.” (“The show ‘cycle—create with what we have’ comes to CCBB Brasilia.”) Acha Brasilia (Think Brasilia), January 29, 2015.
Kwatnoski, Ellen. “Winging it at the Smithsonian American Art Museum.” Ellen Boyers Kwatnoski Blog, January 11, 2015.
Kramer, Elizabeth. “Art collector still buying major works.” The Courier Journal, January 5, 2015.

Walsh, Brienne. “Top 5 Artist to Watch At Art Basel Miami Beach.” Artphaire, December 4, 2014.
Devin, Erin. “In Bird Art, Do Animals Become Objects?” Washington City Paper, December 2, 2014.
Melrod, George. “Post-Human.” Art Ltd. Magazine, November 2014.
“Sucesso em São Paulo, ‘Ciclo’ entra em cartaz em BH no dia 19 de novembro com obras feita a partir de materiaias industrializados.” (“Success in Sao Paulo, ‘Cycle’ goes on display in BH on 19 November with works made from industrial materials.”) bheventos (bh event), November 5, 2014.
Julianda, Endira. Nunu Fine Art News. August–October 2014.
Goukassian, Elena. “‘The Singing and the Silence: Birds in Contemporary Art’ at the Simthsonian American Art Museum celebrates avian inspirations.” The Washington Post, October 30, 2014.
Schwadron, J. “Art + Environment Conference—Nevada Museum of Art in Reno.” Sierra Nevada College, October 29, 2014.
Devine, Sherri. “Animal Magnetism: Examining the Beauty of Beasts, in Reno.” KQED Arts, October 26, 2014.
Rothman, Aaron. “Postcard from the Nevada Museum of Art #2." Orion Magazine, October 2014.
Piesco, Juliana. “Exposure Cycle, At CCBB of São Paulo, reflects on the trajectory of the Ready Made through works of art made of objects such as plastic cups, table and toothpicks.” FalaCultura, October 2014.
Alzugaray, Paula. “Society of excess: Exhibition at CCBBs SP gives good answers to what to do with the abundance in a world of mass industrial production.” ISTOÃ—Independent, September 23, 2014.
Thorson, Alice. “Post-Crosby, the Kemper Museum of Contemporary Art looks to the future.” The Kansas City Star, September 6, 2014.
Kennicott, Philip. “Exhibits at Hirshhorn, Kreeger museums offer a break from the bustle.” The Washington Post, September 6, 2014.
Nunu Fine Art. “30 x 2 ‘ 40 x 2.” Kaleidoscopes, August 2014.
“Around the Ranch—Week 9.” Anderson Ranch Arts Center Blog, August 1, 2014.
“Navigating the Art World for Artists.” Anderson Ranch Arts Center Blog, July 24, 2014.
Lin, Enru. “Exhibitions.” Taipei Times, June 6, 2014.
Wee, Darrly. “Nunu Fine Art Opens in Taipei.” Blouin ArtInfo, May 26, 2014.
Galperina, Marina. “Horse Riding Horse and Other Frieze Highlights.” Animal New York, May 14, 2014.
Cembalest, Robin. “29 Artists with Their Work at New York Art Fairs.” ARTnews, March 7, 2014.
Cochran, Samuel. “10 Must-See Works at ADAA.” architectural digest, March 7, 2014.
Hanson, Sarah. “Fair Report: The ADAA Tilts Toward the 21st Century.” Blouin ArtInfo, March 7, 2014.
Yablonsky, Linda. “Commercial Flair.” Artforum, March 7, 2014.
Bryant, Eric. “10 Must-See Solo Booths at 2014 ADAA Art Show.” Artspace, March 5, 2014.
Kinsella, Eileen. “Emerging Artists Play Major Role at ADAA 2014 Art Show.” Artnet, March 5, 2014.
Lescaze, Zoe, Sarah Douglas, and Michael Miller. “Trophy Art and Curated Booths at ADAA’s Art Show.” Artspace, March 5, 2014.
“Galerie Lelong Presents Petah Coyne’s THE UNCONSOLED FOR The Art Show 2014.” BroadwayWorld, February 28, 2014.

Creahan, Daniel. “AO Recap and photoset: Art Basel Miami Beach, December 3rd-8th, 2013.” AO Art Observed RSS. N.p., 10 Dec. 2013. Web. 11 Dec. 2013 <http://artobserved.com/2013/12/ao-recap-and-photoset-art-basel-miami-beach-december-3rd-8th-2013>.
Goldstein, Andrew M. “At Home With Chicago Collectors Larry and Marilyn Fields.” Artspace, September 19, 2013.
Galerie Lelong. Galerie Lelong at EXPO Chicago. Galerie Lelong, September 13, 2013. Web. September 17, 2013.
Vogel, Carol. “Sol LeWitt Drawing Will Unfurl in Uptown Manhattan.” New York Times, July 4, 2013.
“New Acquisitions Join Iconic Favorites: Wolfe Gallery for Contemporary Art.” Art Matters, Toledo Museum of Art, Volume 9, Issue 1, January–April 2013.
Schwendener, Martha. “Crowdsourced Exhibition Looks Kind of Familiar: ‘Go’, a Group Show at the Brooklyn Museum.” New York Times, January 2, 2013.

“Galerie Lelong Artists on View at Art Basel Miami Beach, Dec 6-9.” BroadwayWorld.com, December 1, 2012.
Svenonius, Tim. “One on One: Tim Svenonius on Petah Coyne.” SFMOMA Open Space, November 5, 2012.
“Petah Coyne Profile Feature.” Nmwa.org (National Museum of Women in the Arts), November 5, 2012.
Sharf, Samantha. “The Top Corporate Art Collections.” Forbes.com, August 2, 2012.
Thorson, Alice. “H&R Block Artspace offers a peek in its drawers for First Friday.” KansasCity.com, May 30, 2012.
“‘Houdini: Art and Magic’ At Madison Museum of Contemporary Art.” Huffington Post, March 19, 2012
Vroom, Chris. “10 Art Fairs, 300+ Exhibitions? Here Are 15 Must-See Installations On View This Week.” Huffington Post, March 7, 2012.
“March Art-Fair Madness in NYC.” Artnet, March 2, 2012.
Smith, Jennifer A. “Madison Museum of Contemporary Art recalls a master showman with ‘Houdini: Art and Magic.’” Isthmus: The Daily Page, February 15, 2012.

“SVA in Miami: Women Dominate at Art Basel.” The School of the Visual Arts, December 5, 2011.
“Art Basel Miami Beach 10.” The Miami Herald Magazine, December 1–4, 2011: cover.
Milgrom, Melissa. “Everything That Rises Will Converge.” Audubonmagazine.org, November 29, 2011.
Thorson, Alice. “Kemper shows odd new acquisitions in the ‘The Big Reveal’ exhibit.” Kansas City Star November 11, 2011.
Koeppel, Fredric. “Art Review: Nine Artists Set ‘Adrift.’” Go Memphis.com, October 27, 2011.
Dembosky, April. “Houdini: Art and Magic, Contemporary Jewish Museum, San Francisco.” Financial Times, October 11, 2011.
Gallagher, Lauren. “Jewish Contemporary Museum presents exhibit on Houdini—man of mystery.” The San Francisco Examiner , October 5, 2011.
Bolton, Drew. “Kemper ARTcast: The Big Reveal: Artist Petah Coyne.” PublicBroadcasting.net, September 2011.
Thorson, Alice. “Art galleries and museums unveil grand projects and tiny moments.” Kansas City Star, August 27, 2011.
“‘Interventions in the Landscape’ at Galerie Lelong.” Art Media Agency, June 24, 2011.
“Exhibition at Galerie Lelong in New York Explores Interventions in the Landscape.” Art Daily, June 23, 2011.
Dreishpoon, Douglas. “Artists In A Parallel Universe.” Art in America, May 2011: pp. 67-71.
Douglas, Sarah. “Internet Explorers: Organizers of A New Art Fair Say Collectors Are Ready To Go Virtual.” Art + Auction, January 2011: p. 26.

Bonenti, Charles. “Art: Museums smashing old boundaries.” Berkshire Eagle, December 31, 2010.
Smee, Sebastian. “Broader outlooks at Mass. museums.” Boston Globe, December 26, 2010.
Sheets, Hilarie M. “Up Now: Petah Coyne.” ARTnews, November 2010: pp.129-130.
Ousley, Julia. “Tarrant County College Art Corridor II Presents ‘Julia Ousley: Urbanity.’” TCCD.edu, September 29, 2010.
Herschthal, Eric. “The Great Escape.” The Jewish Week, September 16, 2010.
Kane, Tim. “Petah Coyne’s ethereal ecosystems at MASS MoCA.” Times Union, September 12, 2010.
Freudenheim, Tom L. “Elusive Yet Expressive; Just when you’ve decided that Petah Coyne’s sculptures, now at MASS MoCA, might well be about the macabre, you’re struck by how the most compelling thing about them is their sheer beauty.” The Wall Street Journal, September 4, 2010.
Boettger, Suzaan. “Petah Coyne: Not Afraid of the Dark.” Art in America, September 2010: pp. 122-27.
Lackman, Jon. “Magical Realism.” ARTnews, September 2010: p. 30.
“Petah Coyne.” ARTnews, September 2010: p. 103.
“2010 Guide to Galleries, Museums and Artists.” Art in America, August 2010: pp. 2368, 2960, 3294, 3492.
Beck, Lesley Ann. “Unexpected Beauty.” Berkshire Living Magazine, July 2010.
Smee, Sebastian. “Living Large; Grand installations at MASS MoCA and the Clark take advantage of gallery space to play with illusions on scale.” The Boston Globe, June 20, 2010: p. N7.
“200 Top Collectors; Ann Tenenbaum.” ARTnews, Summer 2010: p. 91.
Shaw, Keith V. “Petah Coyne at MoCA: Transforming found into rarified objects.” Berkshire Eagle, May 28, 2010: sec D1.
Huberdeau, Jennifer. “MASS MoCA announces upcoming schedule.” California Chronicle, May 1, 2010.
“Twenty Top Shows.” Artnet, May 2010.
O’Neill-Butler, Lauren. “Petah Coyne: Everything That Rises Must Converge.” Artforum, May 2010: p. 136.
Abbe, Mary. “What’s next after ‘Until Now’?” Star Tribune, April 24, 2010.
“Exposure: Photos from the Vault.” PDNPhotoOfTheDay, April 19, 2010.
Heacock, Megan. “Know art through your cell phone.” The Kansan, March 31, 2010.
Faires, Robert. “Depths of “Desire.’” The Austin Chronicle, March 19, 2010.
Butler, Sharon. “The Art Spirits: The National Academy’s 185th Annual.” Hyperallergic, March 17, 2010.
“Contemporary Collectors celebrate 25th anniversary.” La Jolla Light, March 9, 2010.
Holmes, Amy. “The Extraordinary View Through Artists’ Eyes.” Roanoke Times, March 6, 2010.
Rosenberg, Karen. “Academy Gives Art Some Wiggle Room.” The New York Times, February 18, 2010: sec. C26.
Van Ryzin, Jeanne Claire. “’Desire’ comes in all shapes and forms at Blanton.” Austin360, February 13, 2010.
Ergenbright, Kate. “Blanton exhibit shows various facets of desire.” The Daily Texan, February 8, 2010.
“New Photography Gallery Unveiled at Denver Art Museum.” Art Daily, January 29, 2010.
Cole, Suzanne P. “‘Untitled #827’ (Three-Tiered Chandelier by Petah Coyne).” Kansas City Star, January 16, 2010.
“Concept of “Desire” to be Explored by Group of Contemporary Artists.” Art Daily, January 3, 2010.
“185th Annual: An Invitational Exhibition of Contemporary American Art.” National Academy of Design, January 2010.
“Trail Blazers in the 21st Century: Contemporary Prints and Photographs published by Exit Art.” Zimmerli Museum, January 2010.
Blair, A. “Desire.” Tribeza, January 2010.
“Desire.” Blanton Museum, January 2010.
“CRG Gallery: The Language of Flowers.” Re-title, January 2010.
Anania, Katie. “Desire.” Artforum, 2010.

Beise, Gregory. “Petah Coyne at the Neuberger Museum of Art.” The Examiner, October 12, 2009.
Thorson, Alice. “Artists will help Kemper museum celebrate its 15th anniversary.” Kansas City Star, September 22, 2009.
Jimenez, Nancy. “Deze Maand Een Bijdrage Van De New York.” Glamcult, June 4, 2009.
MacMillan, Kyle. “Center’s debut: Works of 1990s, 2000s.” The Denver Post, May 31, 2009.
Borgert, Amy. “Meet the OHS Distinguished Alumni recipients...” Oakwood Register, May 5, 2009.
“Art of the Northeast celebrates 60th anniversary.” The Hour, May 3, 2009.
“Heads in the sand, revelers pilgrimage.” Flash Art, May 2009.
“Oakwood Distinguished Alumni Awards announced.” Dayton Daily News, April 24, 2009.
Rogers, Pat, “Romanticism at Parrish, in spite of all the damage,“ East Hampton Press & The Southhampton Press, March 10, 2009.
Landi, Ann, “A New Creativity?” ARTnews, March 2009: pp. 86-89.
Silvermine Guild Arts Center, “Art of the Northeast Celebrates 60th Anniversary,” Stamford Plus, February 6, 2009.
Hinkle, Annette. “Life’s Damaged Goods: Exhibition Looks at Loss and Redemption,” Sag Harbor Express, New York, February 4, 2009.
Melber, Jonathan, “Contemporary Art in the White House,” Black News Tribune, February 2, 2009.
Budick, Ariella. “Who Needs Hope Anyway,” The Financial Times, January 22, 2009.

“Petah Coyne.” New York Magazine, December 8, 2008: pg. 98.
“Petah Coyne.” New York Magazine, December 1, 2008: pg. 95.
Adam, Alfred Mac. “Petah Coyne.” ARTnews, December 2008: pg. 118.
“Petah Coyne.” New York Magazine, November 24, 2008: pg. 134.
“Petah Coyne.” New York Magazine, November 17, 2008: pg. 91.
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Speer, Richard. “A Letter from Art Basel Miami Beach.” Williamette Week, Dec. 8, 2007.
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Nathan, Adam, “Artist unveils piece to Nasher audience.” Duke Chronicle, November 3, 2006.
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Broili, Susan. “Museum purchases a ‘crying sculpture.’” The Herald-Sun, January 19, 2006.
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Thorson, Alice. “Wyeth dances in.” KansasCity.com, December 29, 2005.
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Nance, Kevin. “A Sculptor Explores the Uses of Enchantment.” Chicago Sun-Times, May 17, 2005.
Hixson, Kathryn. “Girl, Abstracted.” Time Out Chicago, May 12–19, 2005: p. 50.
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Lloyd, Ann Wilson. “Petah Coyne’s Waxworks: Petals on a Black Bough.” New York Times, January 16, 2005: p. 30.
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Stephens, Caleb. “Petah Coyne insightful art to be displayed.” The Times Weekend Edition, December 30, 2000: p. 8.
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Fox, Catherine. “Coyne Looks Back at Dreams of Future.” Atlanta Journal, Atlanta Constitution, April 18,1997: sec. P, p. 7.
“Hanging Sculptures by Artist Petah Coyne At High Museum.” Antiques and the Arts Weekly, Apr. 18, 1997.
“Art At The Edge.” Chattanooga Free Press, April 1997: p. 6.
Rubin, David. “The Human Touch in Contemporary Sculpture: The Continuing Vision of Eva Hesse.” Focus on Art 2, no. 1 (Spring 1997): pp. 5-7.
Tanguy, Sarah. “Black/White/Black.” Sculpture, vol. 16 no. 2 (February 1997): p. 62.
Heilman, Diane. “A Closed Speed Museum Adds to its Collection.” The Courier Journal, January 26,1997: sec. Arts and Leisure, p. 11.

Smith, Roberta. “The World Through Women’s Lenses.” New York Times, Dec. 13,1996: sec. C, p. 28.
Newhall, Edith. “Photography—Monks on the Run.” New York, vol. 29 no. 47 (Dec.2, 1996): p. 150.
Gibson, David. “Petah Coyne.” NY Soho, no. 5 (December 1996): p. 35.
Parmelee, Terry. “Koan Critics Roundtable. ” Koan, vol. V no. 4 (December 1996): p. 17.
Arning, Bill. “Petah Coyne—Photography.” TimeOut New York, issue 62 (November 28–December 5, 1996): p. 46.
Aletti, Vince. “Petah Coyne—Photography.” Village Voice, November 26, 1996, sec. Voice Choices: p. 9.
Hicks, Robert. “Getting The Camera Behind the Movement.” The Villager, Nov. 13, 1996: p. 23.
Lewis, Jo Ann. “Sculptures that Melt Distinction Between Life and Death.” Washington Post, October 29, 1996: sec. E, pp. 1, 6.
Hartman, Carl. Associated Press, “Far Out Sculptress No Longer so Fishy.” Cincinnati Enquirer, October 27, 1996: sec. A, p. 26.
“Artist Isn’t Hooked on Dead Fish Now. ” Post and Courier, October 27, 1996: sec. A, p. 4.
Dixon, Glenn. “Arti Facts: The Art of Installation.” Washington City Paper, Oct. 11, 1996: p. 56.
Coyne, Petah. “Opinioni—Le Ragion: della Giovane Astrazione Ridefinita.” Tema Celeste Contemporanea Arts, no. 58: (Autunno 1996): pp. 54-61.
“Surface and Illusion, An Edge of Black.” Aperture, no.145 (Fall 1996): pp. 46-51.
Bennette, John, “Small Budgets, Large Ambitions.” ARTnews, special edition (January 31, 1996): pp. 48-54.
Matlack, Jennifer. “Artswatch.” MS., vol. VII no. 2 (Sept/Oct 1996): inside cover and 78.
MacAdam, Barbara. “Museums—Good Time Guide.” Conde Nast Traveler, special issue (September 1996): pp. 58-60.
MacAdam, Barbara. “Girl Talk.” ARTnews, Vol. 95 no. 8 (September 1996): cover and pp. 104-7.
“1995 in Review: Public Art.” Art in America, vol. 84 no. 8 (August 1996): pp. 36-7.
Huffstutter, P.J. “House of Wax.” San Diego Union-Tribune, June 20–25: sec. NC, p. 1.
Greer, Roger. “Chicago Expo’s Worldwide Acclaim Grows.” Ann Arbor News, May 25, 1996: sec. E, p. 6.
Jaeger, William. “Square Bubbles Perfect for Nott.” Times Union, April 14, 1996.
Nicholas, Stuart. “Tormenting Beauty.” Cover: Underground National, vol. 10 no. 2 (March 1996): pp. 30-1.
Cohen, Ronny. “New York Diary.” Art Newspaper, February 1996: International Edition, p. 30.
“Art Alert: New Sculpture for the Permanent Collection by Nancy Davidson, Petah Coyne, and John Ahearn.” Articles (Weatherspoon Art Gallery), Winter & Spring 1996.

Damianovic, Maia, “Opinioni sul Fantastico, Immagini Senza Famiglia.” Tema Celeste, no. 55 (Numero Speciale dedicato al Fantastico Inverno, 1995): pp. 76-99.
Davenport, Kimberly. “Impossible Liberties, Contemporary Artists on the Life of Their Work Over Time.” Art Journal, vol. 54 no. 2 (Summer 1995): pp. 40-52.
Taplin, Robert. “Development in Contemporary Sculpture?” Sculpture, vol. 14 no.1 (May/June 1995): pp. 10-11.
McQuaid, Cate. “The Ways of All Flesh, The List and Mass Art Examine the Body,” Boston Phoenix, February 3, 1995: Sec.3, pp. 1-2.
Stapen, Nancy. “Feminine Dialogues: a Tempest from Oppenheim’s Teacup.” Boston Sunday Globe, January 29, 1995.
Sherman, Mary. “Female Artists Express Their Gender.” Boston Herald, January 25, 1995: p. 46.
Schwendewien, Jude. “Collectors: Barbara And Ira Sahlman.” Sculpture, January/February 1995: pp. 18-19.

Ash, John. “Petah Coyne/Reviews.” Artforum, vol. XXXIII no. 2 (October 1994): p. 103.
Garguilo, Thomas. “In the Lineage of Eva Hesse.” Art New England, vol. 15 no. (October/November 1994): pp. 46-7.
Bass, Ruth. “Petah Coyne.” ARTnews, vol. 93 no. 8 (October 1994): p. 184.
Bizot, Ruth. “Fabricating Nature.” Hampton Roads Home and Garden, October 1994.
“Gallery Reviews/Petah Coyne.” New Yorker, vol. LXX no. 33 (October 17, 1994): p. 29.
Opocensky, Pavel. “N.Y. Devadesta Leth.” Atelier, October 1994: p. 16.
“New York Studio Events: Petah Coyne.” Independent Curators Incorporated Newsletter vol. 9 no. 1 (Fall, 1994): p. 4.
James, Curtia. “Man-Made Nature.” Portfolio Magazine, October 11, 1994.
Lukac, Jenni. “Petah Coyne/ New York Art Reviews.” Art Papers, vol. 8 no. 5 (Sept/Oct 1994): p. 58-9.
Schnoor, Chris. “Fabricated Nature: Sculpture Dualities.” Reflex, August/September 1994: p. 13.
Melrod, George. “New York, New York.” Sculpture, vol. 13, no. 4 (July–August 1994): pp. 46-7.
Princenthal, Nancy. “Petah Coyne at Jack Shainman.” Art in America, vol. 82 no. 6 (June 1994): p. 95.
Fujimori, Manami. “From New York: In the Lineage of Eva Hesse.” BT Monthly Art Magazine Bijutsu Techo, vol. 46 no. 689 (June 1994): pp. 126-7.
Ross, Jeanette. “Through A looking Glass.” Artweek, vol. 25 no. 12 (May 19, 1994): p. 12.
Harthorn, Sandy. “New Master.” Nashville Scene, April 21, 1994: pp. 46, 48.
Bernstein, Charles. “I Don’t Take Voice Mail: The Object of Art in the Age of Electronic Technology.” sitec.fr April 16, 1994.
Feinstein, Lea. “If the Shoe Fits.” Baltimore Chronicle, 1994.
Proctor, David. “Paradoxical Show Opens.” Idaho Statesman, April 8, 1994: pp. 1, 3.
Hess, Elizabeth. “Wax Poetic.” Village Voice, April 5, 1994: p. 94.
Levin, Kim. “Choices: The Garden of Sculptural Delights.” Village Voice, April 5, 1994: Choices, p. 73.
McGee, Eva. “One-Piece Puzzle.” Louisville Magazine, p. 65.
Klawans, Stuart, “Museums.” Daily News, April 2, 1994: p. 24.
Wallach, Amei. “An Exuberant Celebration of Life.” New York Newsday, April 1, 1994: sec. B, pp. 17, 21.
Larson, Kay. “Garden of Sculptural Delights.” New York, vol. XXVII no. 13 (March 28,1994): p. 98.
Hicks, Robert. “Group Seeks to Wed Sculpture and Theatre.” The Villager, March 23, 1994.
Levin, Kim. “Choices.” Village Voice, March 23, 1994: sec. Voice Choices, p. 71.
Smith, Roberta. “Sculptors in the Shadow of a Minimalist Master.” New York Times, March 18, 1994: sec. C, p. 21.

Sachs, Sid. “Petah Coyne,” New Art Examiner, December 1993: p. 34.
“From Abroad.” BT Monthly Art Magazine Bijutsu Techo vol. 45, no. 678 (November 1993): p. 141.
Cotter, Holland. “The Greening of Russia: Recycling Lenin Statues.” New York Times, September 3, 1993: sec. C, p. 17.
Weschler, Lawrence. “Portfolio, slight Modifications.” New Yorker, vol. LXIX no. 12 (July 12, 1993): pp. 59-65.
Silverman, Jason. “Playful Conceptual Collages, sculpture show Opens at CCA.” Pasatiempo, July 28, 1993: p. 41.
Isaacson, Philip. “Art Review.” Maine Sunday Telegram, January 24, 1993: sec. E, p. 4.

Aletti, Vince, “Choices.” Village Voice, December 29, 1992: sec. Voice Choices, pp. 73-4.
Boettger, Suzanne. “Dirt Works.” Sculpture (Washington), vol. II no. 6 (November/December 1992): pp. 38-43.
Von Ziegesar, Peter. “Art in Religious Places.” Artlogue, November/ December 1992: pp. 1-3.
Levin, Kim. “Choices.” Village Voice, August 4, 1992: sec. Voice Choices, p. 71.
Jowitt, Deborah. “The Uses of Enchantment.” Village Voice, June 23, 1992: p. 94.
Acocella, Joan. “Choices.” Village Voice, May 26, 1992: sec. Voice Choices, p. 84.
Chico, Beth. “Petah Coyne/Cleveland Center for Contemporary Art.” Dialogue (Kansas City, MO), vol. 13 no. 6 (May/June 1992): pp. 1, 3.
Cullinan, Helen. “Aliens Hulks of Brooding Human Emotion.” Plain Dealer, March 15, 1992.
Pearson, Deanne. “Technology and Nature: A Juxtaposition of Forces.” Pitch, February 12–18,1992.
Thorson, Alice. “Modern Concerns Inspire Dramatic Modern Sculpture.” Kansas City Star, February 9, 1992: sec. I, p. 4.
Colby, Joy Hakanson. “Horse Packs Quite A Wallop.” Detroit News, January 10, 1992.

Dobrovodsky, Deb. “The Toledo Museum.” Collegian, December 1991.
Vallongo, Sally. “A Sneak Preview of Tomorrow’s Art.” Toledo Blade, December 1991: p. 79.
Vallongo, Sally. “Art with a Modern Message.” Toledo Blade, December 8, 1991: pp. 1, 2.
Spring, Justin. “Petah Coyne.” Artforum, vol. XXX no. 4 (December 1991): p. 104.
Taplin, Robert. “Petah Coyne at Jack Shainman and Diane Brown.” Art in America, vol. 79 no. 12 (December, 1991): pp. 108-9.
Cyphers, Peggy. “New York in Review/Petah Coyne.” Arts, vol. 66 no. 44 (December 1991): p. 79.
Drieshpoon, Douglas. “Petah Coyne.” ARTnews, vol. 90 no. 10 (December 1991): p. 124.
Schwartzman, Allan. “Petah Coyne.” New Yorker, vol. LXVII no. 33 (October 7, 1991): pp. 14-15.
Kimmelman, Michael. “Art in Review.” New York Times, October 4, 1991: sec. C, p. 24.
Newhall, Edith. “Fall Preview.” New York, vol. 24 no. 37 (September 23, 1991): pp. 56-64.
Harrison, Helen A. “The Natural World and It’s Mysteries.” New York Times (Long Island Edition), August 11, 1991: p. 13.
Smith, Roberta. “On Long Island, Photos, Portraits, Pollack and Stereotyping.” New York Times, August 9, 1991: sec. C, p. 22.
Mahler, Gwen. “Awards in the Visual Arts 10.” Metropolitan Muse, August 1991: pp. 7-8.
Viney, Jill. “Studio/Petah Coyne.” Sculpture, vol. 10 no. 4 (July/August 1991): pp. 20-1.
Lipson, Karin. “Nature in the Abstract, Around Us and Within.” Newsday, July 26,1991, Part II: p. 86.
Baker, Kenneth. “Awards show Triggers Censorship Memories.” San Francisco Chronicle, July 21, 1991.
Sweeney, Louise. “Controversial Show Salutes Top 10 in the Visual Arts.” Christian Science Monitor, July 19, 1991: p. 10.
Gibson, Eric. “This is What Wins Awards?” Insight 7, no. 27 (July 8, 1991): pp. 40-1.
Grenier, Richard. “A Winner of Visual Inanities.” Washington Times, July 8, 1991.
Thorson, Alice. “Worthy Winners.” City Paper, July 5, 1991: p. 25.
“Nine Abstract Artists at Heckscher.” Long Islander, June 27, 1991: p. .2.
“Contemporary Arts At The Heckscher.” The Dix Hillian, June 26, 1991: p. 7.
Gibson, Eric. “Awards Based on Politics Slander Two Deserving Artists.” Washington Times, June 20, 1991: sec. F, pp. 1, 5.
Burchard, Hank. “What You Get, What You See.” Washington Post, June 14, 1991: p. 58.
Lewis, Jo Ann. “Tantalizing Reflections at the Hirshorn, the Power of 10 Artists.” Washington Post, June 12, 1991: sec. F, pp. 1, 9.
Wye, Pamela. “This, This, This Body: The Sculpture of Petah Coyne.” Sulfur, vol. XI no. 28 (Spring 1991: pp. 53-62.
Feinstein, Lea. “Ephemeral Sculpture at SMU Gallery.” Providence Business News, Feb. 4, 1991: p. 16.

Solnit, Rebecca. “Dirt.” Art Issues (Los Angeles), no. 15 (December 1990/January 1991): pp. 30-5.
Wilkin, Karen. “At the Galleries.” Partisan Review, vol. LVII no. 1 (Winter 1990): pp. 126-135.
Avgikos, Jan. “The (Un) Making of Nature, Whitney Museum Downtown.” Artforum, vol. XXIX no. 3 (November, 1990): pp. 165-6.
Duncan, Ann. “Contemporary Artists Reveal in Diversity.” The Gazette (Montreal), October 13, 1990.
Brunet-Weinmann, Monique, “Art Contemporain 90: L’Art-Spectacle De La Jeune Generation.” La Presse (Montreal), September 29, 1990: sec. D, p. 13.
Gravel, Claire. “Prophetiques Visions De 15 Artists De La Releve.” Le Devoir (Montreal), September 29, 1990: sec. C, p. 12.
LePage, Jocelyne. “Art Contemporain 90: L’Art-Spectacle de la Jeune Generation.” La Presse (Montreal), September 29: sec. D, p. 13.
Cron, Marie-Michele. “Visions 90, L’Empire Des Sens.” Voir (Montreal), September 27–October 3, 1990.
McGovern, Adam. “Detritus, Jack Tilton Gallery.” Cover Magazine (New York), vol. 4, no. 7, September 1990.
Hayt-Atkins, Elizabeth. “The Anxiety of Influence.” Contemporania, Issue 20 (September 1990): pp. 66-73.
Loughery, John. “Lines of Vision: Drawing by Contemporary Women.” Woman’s Art Journal, vol. 11 no. 2, Fall 1990/Winter 1991.
Levin, Kim. “Choices.” Village Voice, July 31, 1990: sec. Voice Choices, p. 101.
Gravel, Claire. “Un Automne Chard en Art Actuel.” Le Devoir (Montreal), July 14: sec. C, p. 8.
Be-Haim, Tsipi. “Awakening the Brooklyn.” Sculpture (Washington), vol. 9 no. 3 (May/June 1990): pp. 68-73.
Holst, Lise. “Petah Coyne at Jack Shainman.” Art in America, vol. 78 no. 2 (February 1990): pp. 174-5.
Mahoney, Robert. “Petah Coyne/Jack Shainman/ Brooklyn Museum.” Sculpture (Washington), vol. 9 no. 1 (January/February 1990): pp. 68-9.
Holst, Lise. “Terra Firma: Land and Landscape in Art of the 1980’s.” ARTnews, vol. 89 no.1 (January 1990): pp. 169-70.

Kachur, Lewis. “Sculptors Turn To Social Themes.” Art International (Paris), no. 9 (Winter 1989): pp. 90-2.
Phillips, Patricia C. “Petah Coyne/Brooklyn Museum, Jack Shainman Gallery.” Artforum, vol. XXVIII no. 9 (December 1989): p. 137.
Dreishpoon, Douglas. “Petah Coyne.” Arts Magazine (New York), vol. 64 no. 4 (December 1989): p. 82.
“Exhibitions/Coyne’s Largest Installation.” The Journal of Art (New York), vol. 2 no. 2 (November, 1989): p.16.
Grimes, Nancy. “Petah Coyne/Jack Shainman.” ARTnews, vol. 88 no. 9 (November 1989): p. 161-2.
Semel, Nava. “The Forest and the Grass/Petah Coyne.” Studio Art Magazine (Israel), November 1989 : p. 46.
Kimmelman, Michael. “Petah Coyne/Brooklyn Museum.” New York Times, October 6, 1989: sec. C, p. 27.
Amann, Gloria. “Petah Coyne/Jack Shainman Gallery.” Cover Magazine (New York), vol. 3 no. 8 (October 1989): p. 14.
Raven, Arlene. “Black Madonna.” Village Voice, September 26, 1989: 94.
Schwartzman, Allan. “Art.” New Yorker, vol. no. (September 26, 1989): p. 11.
Levin, Kim. “Choices.” Village Voice, September 26, 1989: sec. Voice Choices, p. 52.
Newhall, Edith. “Sculptors on Their Own.” New York, vol. 22 no. 36 (September 11, 1989): p.73.
Brenson, Michael. “Petah Coyne.” New York Times, September 8, 1989: sec. C, p. 22.
Tonkinson, Carole. “Art Notes.” Elle, vol. V no. 1 (September 1989): p. 318.
Tanaka, Hiroko. “Artwave from New York.” Hi Fashion (Tokyo), vol. 8 no. 184 (August 1989): p. 200-1.
Forman, Alice. “Colleges’ ‘Figure’ Exhibits Add Up To Two Fine Shows.” Poughkeepsie Journal, May 21,1989: sec. F, p. 2.
Pennella, Florence. “‘Emerging’ Ideas.” Poughkeepsie Journal, April 28, 1989: sec. D, pp. 1, 10.
Grimes, Nancy. “Kindred Spirits: Metaphysical Insights of Seven Sculptors.” New Art Examiner (Chicago), vol. 16 no. 7 (March 1989): p. 52.
Wolff, Millie. “New Art Emerges at Norton.” Palm Beach Daily News, February 2, 1989: sec. B, p. 1.
Schwan, Gary. “It Figures.” Palm Beach Post, January 27, 1989: sec. TGIF, p. 30.

Craig, William Jr. “Changes at Hood and AVA.” Valley News, December 29, 1988: p. 32.
Fox, Marilyn J. “The Year in Visual Arts.” Reading Eagle, December 18, 1988: sec. D: pp. 1, 3.
Mahoney, Robert. “Long Island University/C.W. Post.” Arts Magazine (New York), vol. 63 no. 3, November 1988: p. 117.
Rubinstein, Meyer Raphael. “David and Goliath.” ECT Montreal, no 5 (Automne 1988): pp. 98-9.
Mahoney, Robert. “David and Goliath.” Arts Magazine (New York), vol. 64 no. 2 (October 1988): p. 102.
Gibson, Eric. “Nature and Sculpture, A New Subjectivity Takes Root.” Sculpture (Washington), vol. 7 no. 5 (Sept/Oct, 1988): pp. 28-31.
Craig, William, Jr. “New Sculptures Suggest Creation’s Callous Beauty.” Valley News, August 18, 1988.
Cullum, J.W. “Strike: Coyne, Fasnacht, Driscoll, Hepper.” Art Papers (Atlanta), vol. 12 no. 4 (July/August 1988): pp. 56-7.
Levin, Kim. “Choices.” Village Voice, July 19, 1988: sec. Voice Choices, p. 42.
Matyas, Diane. “Thought on Public Sculpture: The work of Petah Coyne.” Q. Journal of Art, Cornell University, July 1988: pp. 23-4.
“What’s Going On.” New School Observer, June/July 1988.
Heartney, Eleanor. “Elements: Five Installations.” ARTnews (April 1988): p. 56.
Fox, Marilyn J. “Art Takes On Life In College Exhibit.” Reading Times, April 1, 1988: sec. 2, p. 12.
Levin, Kim. “Choices.” Village Voice, March 22, 1988: sec. Voice Choices, p. 50.
Shicho-Shaj. “Elements, Five Installations.” Geijutsu-Shinsho (Tokyo), April 1988: p. 56.
Temin, Christine. “Critic’s Tip.” Boston Globe, February 11, 1988: p. 31.

Kaufman, Jason Edward. “Four American Artists Show Their Earthiness in Dual Local Whitney Exhibition.” New York City Tribune, January 14, 1988.

Brenson, Michael. “A Transient Art Form With Staying Power.” The New York Times, January 10, 1988.
Corney, John. “Pessimism Evades Exhibit.” Baltimore Sun, Jan. 8, Maryland Live: p. 33.
Levin, Kim. “Artwalk.” Village Voice, January 5, 1988: p. 84.
Levin, Kim. “Choices.” Village Voice, January 5, 1988: sec. Voice Choices, p. 40.
Bartclik, Marek. “Vidziane Z Manhattanu.” Prezglad Polske (Poland), January 1–3, 1988.

Phillips, Patricia, “Petah Coyne, Sculpture Center.” Flash Art (Milan), no. 137 (Nov/Dec, 1987): pp.107-8.
Brenson, Michael. “Maverick sculptor Makes Good.” New York Times, November 1, 1987: sec. Magazine, pp. 84, 88, 90, 92-3.

Dietz Krebs, Betty. “Canvassing the Arts: David Yeamans’ watercolors capture memorable city scenes.” Dayton Daily News, October 10, 1987.
Levin, Kim. “Choices.” Village Voice, October 6, 1987: sec. Voice Choices, p. 44.
Levin, Kim. “Artwalk.” Village Voice, October 6,1987: sec. Art Supplement: p. 19.
Levin, Kim. “Choices.” Village Voice, September 29, 1987: sec. Voice Choices sec., p. 46.

“Art: Galleries – Uptown.” The New Yorker, September 29, 1987.
Brenson, Michael. “Critics’ Choice.” New York Times, September 13, 1987: The Guide, p. 2.
Brenson, Michael. “Season Preview, A Selective Guide.” New York Times, August 30, 1987: Magazine sec., pp. 111-3.
Schwarze, Richard. “Will Artistic Equality Be Forever Elusive?” Times Publication, July 29, 1987: sec. B, p. 1.
Brenson, Michael. “City As Sculptural Garden: Seeing the New and Daring.” New York Times, July 17, 1987: sec. C, pp. 1, 24.
Zimmer, William. “Sculpture Carefully Created For A Site.” New York Times, June 28, 1987: p. 24.
Brenson, Michael. “Petah Coyne.” New York Times, May 22, 1987: sec. C, p. 24.
Gonzales, Shirley. “Sydney Blum, Petah Coyne, Beverly Fishman.” New Haven Register, May 3,1987, sec. 3, p. D.
Stein, Jerry. “Standing Ground Showcases Women Sculptors.” Cincinnati Post, March 27, 1987: sec. B, pp. 7, 12.
Levin, Kim. “It’s A Jungle Out There.” Village Voice, March 24, 1987: p. 78.
Levin, Kim. “Voice Centerfold.” Village Voice, March 17, 1987: p. 72.
Brenson, Michael. “Critics’ Choice.” New York Times, January 18, 1987: The Guide, p. 2.

Mewling, Frank. “Aldrich: New Look For A New Year.” News-Times, December 28, 1986.
Eliasopli, Philip. “Back to the Aldrich Museum, Naturally.” Stanford Advocate, December 21, 1986.
Brenson, Michael. “Sculpture Breaks The Mold of Minimalism.” New York Times, November 23, 1986: sec., 2: pp. 1, 33.
Schwabsky, Barry. “Sydney Blum/Petah Coyne/Beverly Fishman.” Arts Magazine, November,1986: p. 120.
“Fishes and Habits.” Stroll, The Magazine of Outdoor Art and Street Culture (New York), vol. 2, no. 2 (November/December/January,1986): p. 15.
Brenson, Michael. “DiSuvero’s Drama of a Sculpture Park Grows In Queens.” New York Times, October 12, 1986: sec. 2, pp. 31-2.
Raynor Vivien. “Intimations of Figure At Newark’s Robeson Center Gallery.” New York Times, October 12, 1986: NJ ed., p. 36.
Watkin, Eileen. “Exhibits at Robeson Gallery in Newark Take Figurative Look At Human Figure.” Newark Star Ledger, October 12, 1986, sec. 4.
Long, Robert. “Non-Profit Center Helps Artist Bloom.” Southampton Press, September 25, 1986.
Zimmer, William. “Sydney Blum, Petah Coyne, Beverly Fishman.” The New York Times, September 19, 1986: sec. C, p. 25.
Kaufman, Jason Edward. “Four American Artists Show Their Earthliness In Dual Locale Whitney Exhibition.” New York City Tribune, January 14, 1986: pp. 10, 14.
Brenson, Michael. “A Transient Art Form With Staying Power.” The New York Times, January 10,1986: sec. 2, pp. 33, 34.
Roberts, CatSou. “Sydney Blum, Petah Coyne, Beverly Fishman.” 108, An East Village Review, September 1986: p. 8.
Brenson, Michael. “A Bountiful Season In Outdoor Sculpture Reveals Glimmers of a New Sensibility.” New York Times, July 18, 1986: sec C, pp. 1, 20.
Long, Robert. “Review.” Southampton Press, June 19, 1986.
Brenson, Michael. “Review.” The New York Times, June 13, 1986.
Faxon, Alicia. “Nature Observed.” Art New England, April 1986.
Keyes, Norman, Jr. “Review” Boston Globe, February 25, 1986: pp. 3, 10.
Stapen, Nancy. “Nature Exhibit Need a Focus.” The Boston Herald, February 14, 1986: sec. Weekend, p. 66.
Zimmer, William. “Natural Disaster Show Offers Samples of Creative Upheaval.” The New York Times (Westchester edition), January 26, 1986: p. 24.

Lewis, Pamela. “Bayou Show.” Houston Post, March 23, 1985, sec. G, pp. 1-2.
Johnson, Patricia C. “A Stroll Down The Bayou Path For An Artful View.” Houston Chronicle, March 16, 1985: sec. 4, p. 1, 6.

Shipp, E.R. “Chicago Watches As 10 Sculptures Grow.” The New York Times, October 2, 1984: Chicago ed., p.8.
Schwarze, Richard F. “Arts/Petah Coyne.” Journal Herald, September 1, 1986: p. 23.
Lyon, Christopher. “Sculpture Chicago at Printers Row.” Chicago Sun-Times, August 26, 1984: pp. 18, 20.

Larson, Kay. “On the Beach.” New York 16, no. 35, September 5, 1983.

Glueck, Grace. “Engaging Experiments Transform A Sandy Site.” The New York Times, July 31, 1983.